Sanskrit lesson,Sanatana scriptures.ॐ Hare Krishna Hare Krishna Krishna Krishna Hare Hare Hare Rama Hare Rama Rama Rama Hare Hare ॐ हरे कृष्णा हरे कृष्णा कृष्णा कृष्णा हरे हरे। हरे रामा हरे रामा रामा रामा हरे हरे॥
Saturday, April 9, 2016
YAGYA- A ritual or culture?
YAGYA- A ritual or culture?
The sole picture of ancient India that arises when one tries to imagine the Vedic era is that of few white bearded rishis sitting in front of a pit and offering oblations to the fire. Frankly, our mythological serials in the 1990s are also responsible for creating such a picture that Yagyas was a sort of ritual. And how can we forget? Our very great Communist historians are the main players in the character assassination of our ancestors and branding them as ritualistic, blind faith affected people.
Yagya, for that matter,is a system developed for pleasing the Devas but also has many variants including a Yagya for cooking and a Yagya for all 16 sanskars of Hindus.In a Yagya, we have to offer an oblation, let it be ghee,milk, cakes of cereals, Soma,etc. And this oblation is not done just by sitting there. An important condition for this is chanting of the Vedic mantras, Samantrakam समन्त्रकं,with the Mantas, as they call it. These Mantras are well documented in the Rigveda.
The Englishmen translated the word Yagya as 'sacrifice' which in itself is a blatant mistake. Yagya was never meant for any sacrifice of animals.It was a simple system of pleasing the Gods into which animal sacrifice found place, which is no doubt not a right thing. But branding the whole system as an outrageous way of pleasing the Gods, is itself outrageous.If one really tries to see the intricacies of a Yagya, then one will come to know the amount of perfection and the amount of brains that have gone in framing the smallest of things. Take for example, the fire in the Yagya. Now one would imagine that the rishis would be bringing some random logs of wood and burning them. But instead, the fire is of a particular wood and that too of 3 types- Garhapatya, Ahavaniya and Dakshinagni. (गार्हपत्य, आहवानीय, दक्षिणाग्नि ). Even the fire altar's dimensions, it's height from the ground,etc are fixed and find place in the Apastamba and Baudhayana Sulva Sutras.
And even the Yagya does not take place without some specially qualified people who conduct it- The Hota, Udgata and the Adhvaryu. The Hota is skilled in Rigved and recites the mantras line by line. The Udgata is a Samved expert who recites the same mantras but with a musical tune called Chhanda whereas the Adhvaryu is an expert in Yajurved who knows about the small technicalities of a Yagya and also controls the Yagya till it ends.
Samveda in particular has a relation with this whole Yagya system. Because due to this system, the whole stream of Indian classical music was developed. Mantras in a Yagya cannot be recited as they are since they are too many and it sounds boring. Hence was felt the need to give a rhyme to these mantras which gave rise to Samved. Samved has almost all it's verses common to Rigved but are given a particular rhyme called Chhanda. Different Chhandas include Gayatri, Trishtup, Anushtup, Brihadrati,etc.
For example there are 3 verses A,B,C and I want to multiply them to 15 verses. So I sing them as-
A A A B C A B B B C A B C C C. This forms one chhanda or style of reciting.
This also proves the brilliant practice of the then Brahmins in reciting thousands of these mantras, sometimes overnight. And even in this overnight chanting, certain adjustments were made.Now obviously I would fall asleep while chanting these mantras overnight. So what to do? Simple- Sit on a swing and keep swinging overnight while chanting the mantras !!!! Simple adjustments assimilated into a complex culture.Returning to Samved, we find that for chanting these verses, our 7 Swaras were developed- Sa Re Ga Ma Pa Dha Ni Sa- although we find them in different names. The reader would be surprised to know that a separate UpaVeda of the Samved called the Gandharva Ved exists which specifically deals with music and it's different Ragas and Talas. So much of advancement, and that too originating for the sake of singing the mantras properly in a Yagya !!!!! And with singing comes dancing. There is a ritual that if the person for whom the Yagya is conducted is rich, he can bring his 50 Dasis who with pots on their heads can dance beautifully around the Yagya altar.
The sole picture of ancient India that arises when one tries to imagine the Vedic era is that of few white bearded rishis sitting in front of a pit and offering oblations to the fire. Frankly, our mythological serials in the 1990s are also responsible for creating such a picture that Yagyas was a sort of ritual. And how can we forget? Our very great Communist historians are the main players in the character assassination of our ancestors and branding them as ritualistic, blind faith affected people.Yagya, for that matter,is a system developed for pleasing the Devas but also has many variants including a Yagya for cooking and a Yagya for all 16 sanskars of Hindus.In a Yagya, we have to offer an oblation, let it be ghee,milk, cakes of cereals, Soma,etc. And this oblation is not done just by sitting there. An important condition for this is chanting of the Vedic mantras, Samantrakam समन्त्रकं,with the Mantas, as they call it. These Mantras are well documented in the Rigveda.
The Englishmen translated the word Yagya as 'sacrifice' which in itself is a blatant mistake. Yagya was never meant for any sacrifice of animals.It was a simple system of pleasing the Gods into which animal sacrifice found place, which is no doubt not a right thing. But branding the whole system as an outrageous way of pleasing the Gods, is itself outrageous.If one really tries to see the intricacies of a Yagya, then one will come to know the amount of perfection and the amount of brains that have gone in framing the smallest of things. Take for example, the fire in the Yagya. Now one would imagine that the rishis would be bringing some random logs of wood and burning them. But instead, the fire is of a particular wood and that too of 3 types- Garhapatya, Ahavaniya and Dakshinagni. (गार्हपत्य, आहवानीय, दक्षिणाग्नि ). Even the fire altar's dimensions, it's height from the ground,etc are fixed and find place in the Apastamba and Baudhayana Sulva Sutras.And even the Yagya does not take place without some specially qualified people who conduct it- The Hota, Udgata and the Adhvaryu. The Hota is skilled in Rigved and recites the mantras line by line. The Udgata is a Samved expert who recites the same mantras but with a musical tune called Chhanda whereas the Adhvaryu is an expert in Yajurved who knows about the small technicalities of a Yagya and also controls the Yagya till it ends.
Samveda in particular has a relation with this whole Yagya system. Because due to this system, the whole stream of Indian classical music was developed. Mantras in a Yagya cannot be recited as they are since they are too many and it sounds boring. Hence was felt the need to give a rhyme to these mantras which gave rise to Samved. Samved has almost all it's verses common to Rigved but are given a particular rhyme called Chhanda. Different Chhandas include Gayatri, Trishtup, Anushtup, Brihadrati,etc.
For example there are 3 verses A,B,C and I want to multiply them to 15 verses. So I sing them as-
A A A B C A B B B C A B C C C. This forms one chhanda or style of reciting.
This also proves the brilliant practice of the then Brahmins in reciting thousands of these mantras, sometimes overnight. And even in this overnight chanting, certain adjustments were made.Now obviously I would fall asleep while chanting these mantras overnight. So what to do? Simple- Sit on a swing and keep swinging overnight while chanting the mantras !!!! Simple adjustments assimilated into a complex culture.Returning to Samved, we find that for chanting these verses, our 7 Swaras were developed- Sa Re Ga Ma Pa Dha Ni Sa- although we find them in different names. The reader would be surprised to know that a separate UpaVeda of the Samved called the Gandharva Ved exists which specifically deals with music and it's different Ragas and Talas. So much of advancement, and that too originating for the sake of singing the mantras properly in a Yagya !!!!! And with singing comes dancing. There is a ritual that if the person for whom the Yagya is conducted is rich, he can bring his 50 Dasis who with pots on their heads can dance beautifully around the Yagya altar.
TYPES OF YAGYAS
There are different types of Yagyas conducted for different purposes- Agnishtoma- It's a kind of Somyaga
- Vajpeya- It is done for maintaining harmony with neighboring states.
- Ashvamedha- It is done to usurp power of other kingdoms. Done by Lord Ram.
- Rajsuya- Done for becoming the Samrat of India. Done by Yudhishthira
- Naramedh- Done by sacrificing humans to please Varun. Half completed by king Harishchandra
- Putrakameshthi- Done for getting an offspring. Done by Dashrath to get Ram and 3 other sons
Agnihotra is a yagya done twice in a day
A special kind of Yagya called as Atiratra is done for bringing rains. It is a 12 day ritual. This was successfully performed in Panjal, Kerala in 1975 as well as in 2011.
CONCLUSION
Now even if this Yagya was a small ritual done to please Gods, no person in this world would have generated so much delicate rules and conditions. No variety of stuffs used, no variety in the types of Yagyas would be seen.
Since we have specialized people earning their penny from a Yagya, with art forms like music and dance getting a push and most importantly, 3 whole Vedas being composed to specilize in that subject, it can be seen that this Yagya system was indeed the CULTURE of Indians rather than being just a ritual. People got themselves involved in this. All major kings of Puranic tradition have in some or the other way performed a Yagya. Such huge popularity of a certain system can only mean it had seeped in the lives of people. It may have been started as a small ritual, but it's importance increased to such an extent that it became an important cultural facet of Vedic people.
This happened to such an extent that even the Zoroastrians who were Vedic Anus migrated to Iran also continued to worship fire as a God.. Now that's called influence..!!
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From Ashutosh Kulkarni
composers of Rigveda
The list of composers of Rigveda
Following is the list of composers of Rigveda according to the Sarvanukramani.
There are 1028 hymns divided into 10 Mandalas in Rigveda.
The style of naming is as follows-
If Madhuchhandas is the son of Vishvamitra, his name would be written as Madhuchhandas Vaishvamitra meaning Madhucchandas- the son of Vishwamitra.
Following is the list of composers of Rigveda according to the Sarvanukramani.
There are 1028 hymns divided into 10 Mandalas in Rigveda.
The style of naming is as follows-
If Madhuchhandas is the son of Vishvamitra, his name would be written as Madhuchhandas Vaishvamitra meaning Madhucchandas- the son of Vishwamitra.
MANDALA
|
HYMN
|
COMPOSER
|
1
|
1-10
|
Madhucchandas Vaishvamitra
|
11
|
Jeta Madhucchandas
| |
12-23
|
Medhatithi Kanva
| |
24-30
|
Shunahshepa Ajigarti later Devarata Vaishvamitra
| |
31-35
|
Hiranyastupa Angiras
| |
36-43
|
Kanva Ghaura
| |
44-50
|
Praskanva Kanva
| |
51-57
|
Savya Angiras
| |
58-64
|
Nodhas Gautama
| |
65-73
|
Parashara Shaktya
| |
74-93
|
Gotama Rahugana
| |
94-98
|
Kutsa Angiras
| |
99
|
Kashyapa Maricha
| |
100
|
Rujrashva Varshagira
| |
101-115
|
Kutsa Angiras
| |
116-126
|
Kakshivan Dairghatamas
| |
127-139
|
Parucchepa Daivodasi
| |
140-164
|
Dirghatamas Aucathya
| |
165-191
|
Agastya Maitravaruni
| |
2
|
1-3
|
Gritsamada Shaunahotra, later Gritsamada Shaunaka
|
4-7
|
Somahuti Bhargava
| |
8-26
|
Gritsamada Shaunahotra, later Gritsamada Shaunaka
| |
27-29
|
Kurma Gartsamada
| |
30-43
|
Gritsamada Shaunahotra, later Gritsamada Shaunaka
| |
3
|
1-12
|
Vishwamitra Gathina
|
13-14
|
Rushabha Vishwamitra
| |
15-16
|
Utkila Katya
| |
17-18
|
Kata Vishwamitra
| |
19-22
|
Gathina Kaushika.
| |
23-35
|
Vishwamitra Gathina,Devshrava,Devavat Bharat
| |
36
|
Vishwamitra Gathina, Ghora Angiras
| |
37
|
Vishwamitra Gathina
| |
38
|
Vishwamitra Gathina, Prajapati Vishwamitra/Vachya
| |
39-53
|
Vishwamitra Gathina
| |
54-56
|
Prajapati Vishwamitra /Vachya
| |
57-61
|
Vishwamitra Gathina
| |
62
|
Vishwamitra Gathina, Jamadagni Bhargava
| |
4
|
1-42
|
Vamdeva Gautama
|
43-44
|
Purumilha Sauhotra, Ajamilha Sauhotra
| |
45-58
|
Vamdeva Gautama
| |
5
|
1
|
Budha/ Gavishthira Atreya
|
2
|
Kumara/Vrusha Jana Atreya
| |
3-6
|
Vasushruta Atreya
| |
7-8
|
Isha Atreya
| |
9-10
| ||
11-14
|
Sutambhara Atreya
| |
15
|
Dharuna Angiras
| |
16-17
|
Puru Atreya
| |
18
|
Dvita Atreya
| |
19
|
Vavri Atreya
| |
20
|
Prayasvanta Atreya
| |
21
|
Sasa Atreya
| |
22
|
Vishvasaman Atreya
| |
23
|
Dyumna Vishvacharshani Atreya
| |
24
|
Bandhu, Subandhu, Srutabandhu,
Viprabandhu (Gaupayanas) | |
25-26
|
Vasuyava Atreya
| |
27
|
Atri Bhauma
| |
28
|
Vishvavara Atreyi
| |
29
|
GaurivIti Sankruti (Angiras family)
| |
30
|
Babhru Atreya
| |
31
|
Avasyu Atreya
| |
32
|
Gatu Atreya
| |
33-34
|
Samvarana Prajapatya
| |
35-36
|
Prabhuvasu Angiras
| |
37-43
|
Atri Bhauma
| |
44
|
Avatsara Kashyapa, various Atreyas
| |
45
|
Sadapruna Atreya
| |
46
|
Pratikshatra Atreya
| |
47
|
Pratiratha Atreya
| |
48
|
Pratibhanu Atreya
| |
49
|
Pratiprabha Atreya
| |
50-51
|
Svasti Atreya
| |
52-61
|
Shyavashva Atreya
| |
62
|
Srutavida Atreya
| |
63-64
|
Arcananas Atreya
| |
65-66
|
Ratahavya Atreya
| |
67-68
|
Yajata Atreya
| |
69-70
|
Uruchakri Atreya
| |
71-72
|
Bahuvrukta Atreya
| |
73-74
|
Paura Atreya
| |
75
|
Avasyu Atreya
| |
76-77
|
Atri Bhauma
| |
78
|
Saptavadhri Atreya
| |
79-80
|
Satyashravas Atreya
| |
81-82
|
Shyavashva Atreya
| |
83-86
|
Atri Bhauma
| |
87
|
Evayamarut Atreya
| |
6
|
1-30
|
Bharadvaja Barhaspatya
|
31-32
|
Suhotra Bharadvaja
| |
33-34
|
Shunahotra Bharadvaja
| |
35-36
| ||
37-43
|
Bharadvaja Barhaspatya
| |
44-46
|
Samyu Barhaspatya
| |
47
|
Garga Bharadvaja
| |
48
|
Samyu Barhaspatya
| |
49-52
|
Rijishvan Bharadvaja
| |
53-74
|
Bharadvaja Barhaspatya
| |
75
|
Payu Bharadvaja
| |
7
|
1-31
|
Vasishtha Maitravaruni
|
32
|
Vasishtha Maitravaruni, Shakti Vasishtha
| |
33-100
|
Vasishtha Maitravaruni
| |
101-102
|
Vasishtha Maitravaruni, Kumara Agneya
| |
103-104
|
Vasishtha Maitravaruni
| |
8
|
1
|
Pragatha Kanva, Medhatithi Kanva,
|
2
|
Medhatithi Kanva, Priyamedha Angiras
| |
3
|
Medhyatithi Kanva
| |
4
|
Devatithi Kanva
| |
5
|
Brahmatithi Kanva
| |
6
|
Vatsa Kanva
| |
7
|
Punarvatsa Kanva
| |
8
|
Sadhvamsa Kanva
| |
9
|
Shashakarna Kanva
| |
10
|
Pragatha Kanva
| |
11
|
Vatsa Kanva
| |
12
|
Parvata Kanva
| |
13
|
Narada Kanva
| |
14-15
|
Goshuktin Kanva, Ashvasuktin Kanva
| |
16-18
|
Irimbitha Kanva
| |
19-22
|
Sobhari Kanva
| |
23-25
|
Vishvamanas Vaiyashva
| |
26
|
Vishvamanas Vaiyashva, Vyashva Angiras
| |
27-31
|
Manu Vaivasvata or Kashyapa Maricha
| |
32
|
Medhatithi Kanva
| |
33
|
Medhyatithi Kanva
| |
34
|
Nipatithi Kanva
| |
35-38
|
Shyavashva Atreya
| |
39-41
|
Nabhaka Kanva
| |
42
|
Nabhaka Kanva, Arcananas Atreya
| |
43-44
|
Virupa Angiras
| |
45
|
Trishoka Kanva
| |
46
|
Vasha Ashvya
| |
47
|
Trita Aptya
| |
48
|
Pragatha Kanva
| |
49
|
Praskanva Kanva
| |
50
|
Pushtigu Kanva
| |
51
|
Srushtigu Kanva
| |
52
|
Ayu Kanva
| |
53
|
Medhya Kanva
| |
54
|
Matarishvan Kanva
| |
55
| ||
56
|
Prushadhra Kanva
| |
57-58
|
Medhya Kanva
| |
59
|
Suparna Kanva
| |
60-61
|
Bharga Pragatha
| |
62-65
|
Pragatha Kanva
| |
66
|
Kali Pragatha
| |
67
|
Matsya Sammada or Manya Maitravaruni
| |
68-69
|
Priyamedha Angiras
| |
70
|
Puruhanman Angiras
| |
71
|
SudIti Purumilha
| |
72
|
Haryata Pragatha
| |
73-74
|
Gopavana Atreya
| |
75
|
Virupa Angiras
| |
76-78
|
Kurusuti Kanva
| |
79
|
Krutnu Bhargava
| |
80
|
Ekadyu Naudhasa
| |
81-83
|
Kusidin Kanva
| |
84
|
Ushana Kavya,
| |
85
| ||
86
| ||
87
| Priyamedha Angiras | |
88
|
Nodhas Gautama
| |
89-90
|
Nrumedha Angiras, Purumedha Angiras
| |
91
|
Apala Atreyi
| |
92-93
|
Sukaksha Angiras
| |
94
|
Vindu Angiras, Putadaksha Angiras
| |
95-96
|
Tirashchi Angiras
| |
97
|
Rebha Kashyapa
| |
98-99
|
Nrumedha Angiras
| |
100
|
Nema Bhargava
| |
101
|
Jamadagni Bhargava
| |
102
|
Prayoga Bhargava, Agni Barhaspatya
| |
103
|
Sobhari Kanva
| |
9
|
1
|
Madhucchandas Vishwamitra
|
2
|
Medhatithi Kanva
| |
3
|
Sunahshepa Ajigarti
| |
4
|
Hiranyastupa Angiras
| |
5-24
|
Asita Kashyapa, Devala Kashyapa
| |
25
|
Drulhachyuta Agastya
| |
26
|
Idhmavaha Darlhachyuta
| |
27
|
Nrumedha Angiras
| |
28
|
Priyamedha Angiras
| |
29
|
Nrumedha Angiras
| |
30
|
Bindu Angiras
| |
31
|
Gotama Rahugana
| |
32
|
Shyavashva Atreya
| |
33-34
|
Trita Aptya
| |
35-36
|
Prabhuvasu Angiras
| |
37-38
|
Rahugana Angiras
| |
39-40
|
Brihanmati Angiras
| |
41-43
|
Medhatithi Kanva
| |
44-46
|
Ayasya Angiras
| |
47-49
|
Kavi Bhargava
| |
50-52
|
Ucathya Angiras
| |
53-60
|
Avatsara Kashyapa
| |
61
|
Amahiyu Angiras
| |
62
|
Jamadagni Bhargava
| |
63
|
Nidhruvi Kashyapa
| |
64
|
Kashyapa Maricha
| |
65
|
Jamadagni Bhargava
| |
66
|
Shata Vaikhanasa
| |
67
|
Saptarshis, Pavitra Angiras
| |
68
|
Vatsapri Bhalandana
| |
69
|
Hiranyastupa Angiras
| |
70
|
Renu Vishwamitra
| |
71
|
Rishabha Vishwamitra
| |
72
|
Harimanta Angiras
| |
73
|
Pavitra Angiras
| |
74
|
Kakshivan Dairghatamas
| |
75-79
|
Kavi Bhargava
| |
80-82
|
Kasu Bharadvaja
| |
83
|
Pavitra Angiras
| |
84
|
Prajapati Vachya
| |
85
|
Vena Bhargava
| |
86
|
Praskanva Kanva
| |
87-89
|
Atri Bhauma, Gritsamada Shaunaka,
Akrushthamasha, Sikata Nivavari, Prushni Aja | |
90
|
Ushana Kavya
| |
91-92
|
Vasishtha Maitravaruni
| |
93
|
Kashyapa Maricha
| |
94
|
Nodhas Gautama
| |
95
|
Kanva Ghaura
| |
96
|
Pratardana Daivodasi
| |
97
|
Vasishtha Maitravaruni, Indrapramati
Vasishtha, Vrushagana Vasishtha, Manyu Vasishtha, Upamanyu Vasishtha, Vyaghrapada Vasishtha, Shakti Vasishtha, Karnashrut Vasishtha, Mrulika Vasishtha, Vasukra Vasishtha, Parashara Shaktya, Kutsa Angiras. | |
98
|
Ambarisha Varshagira, Rijishvan Angiras
| |
99-100
|
Rebhasunu Kashyapa
| |
101
|
Andhigu Syavashvi, Yayati Nahusha, Nahusha
Manava, Manu Samvarana, Prajapati Vishwamitra. | |
102
|
Trita Aptya
| |
103
|
Dvita Aptya
| |
104-105
|
Parvata Kanva, Narada Kanva
| |
106
|
Agni Chakshusha, Cakshu Manava, Manu Apsava
| |
107
|
Saptarshis
| |
108
|
Gauriviti Shaktya, Shakti Vasishtha, Uru Angiras, Rijishvan Bharadvaja, Urdhvasadma Angiras, Krutayasha Angiras, Runanchaya
| |
109
|
Agni Dhishnya Aishvaraya
| |
110
|
Tryaruna Traivrushna, Trasadasyu Paurukutsa
| |
111
|
Ananata Parucchepi
| |
112
|
Shishu Angiras
| |
113-114
|
Kashyapa Maricha
| |
10
|
1-7
|
Trita Aptya
|
8
|
Trishiras Tvashtra
| |
9
|
Trishiras Tvashtra, Sindhudvipa Ambarisha
| |
10
|
Yama Vaivasvata, YamI Vaivasvati
| |
11-12
|
Havirdhana Angi
| |
13
|
Vivasvan Aditya
| |
14
|
Yama Vaivasvata
| |
15
|
Sankha Yamayana
| |
16
|
Damana Yamayana
| |
17
|
Devashravas Yamayana
| |
18
|
Sankusuka Yamayana
| |
19
|
Matitha Yamayana, or Bhrigu, or Cyavana Bhargava
| |
20-26
|
Vimada Aindra, Vasukrit Vasukra
| |
27-29
|
Vasukra Aindra
| |
30-34
|
Kavasha Ailusha
| |
35-36
|
Lusha Dhanaka
| |
37
|
Abhitapa Saurya
| |
38
|
Indra Mushkavan
| |
39-40
|
Ghosha Kakshivati
| |
41
|
Suhastya Ghausheya
| |
42-44
| ||
45-46
|
Vatsapri Bhalandana
| |
47
|
Saptagu Angiras
| |
48-50
|
Indra Vaikuntha
| |
51-53
|
Agni Saucika
| |
54-56
|
Brihaduktha Vamadevya
| |
57-60
|
Bandhu, Subandhu, Srutabandhu,
Viprabandhu (Gaupayanas) | |
61-62
|
Nabhanedishtha Manava
| |
63-64
| ||
65-66
|
Vasukarna Vasukra
| |
67-68
|
Ayasya Angiras
| |
69-70
|
Sumitra Vadhryashva
| |
71-72
|
Brihaspati Angiras
| |
73-74
|
Gauriviti Shaktya
| |
75
|
Sindhukshit Praiyamedha
| |
76
|
Jaratkarna Sarpa Airavata
| |
77-78
|
Syumarashmi Bhargava
| |
79-80
|
Agni Shaucika or Sapti Vajambhara
| |
81-82
|
Vishvakarma Bhauvana
| |
83-84
|
Manyu Tapasa
| |
85
|
Surya Savitri
| |
86
|
Vrishakapi Aindra, Indra, Indrani
| |
87
|
Payu Bharadvaja
| |
88
|
Murdhanvan Vamadevya
| |
89
|
Renu Vishwamitra
| |
90
|
Narayana
| |
91
|
Aruna Vaitahavya
| |
92
|
Sharyata Manava
| |
93
|
Tanva Parthya
| |
94
|
Arbuda Kadraveya Sarpa
| |
95
|
Pururavas Aila, UrvashI
| |
96
|
Baru Angiras, Sarvahari Aindra
| |
97
|
Bhishag Atharvana
| |
98
|
Devapi Arshtishena
| |
99
|
Vamra Vaikhanasa
| |
100
|
Duvasyu Vandana
| |
101
|
Budha Saumya
| |
102
|
Mudgala Bharmyashva
| |
103
|
Apratiratha Aindra
| |
104
|
Ashtaka Vishwamitra
| |
105
|
Sumitra Kautsa, Durmitra Kautsa
| |
106
|
Bhutamsa Kashyapa
| |
107
|
Divya Angiras, Dakshina Prajapatya
| |
108
|
Sarama, Panis
| |
109
|
Juhu Brahmajaya
| |
110
|
Rama Jamadagnya, Jamadagni Bhargava
| |
111
|
Ashtadamshtra Vairupa
| |
112
|
Nabhahprabhedana Vairupa
| |
113
|
Sataprabhedana Vairupa
| |
114
|
Sadhri Vairupa
| |
115
|
Upastuta Varshtihavya
| |
116
|
Agniyuta Sthaura
| |
117
|
Bhikshu Angiras
| |
118
|
Urukshaya Angiras
| |
119
|
Laba Aindra
| |
120
|
Brihaddiva Atharvana
| |
121
|
Hiranyagarbha Prajapatya
| |
122
|
Chitramaha Vasishtha
| |
123
|
Vena Bhargava
| |
124
|
Agni, Varuna, Soma
| |
125
|
Vak Abhruni
| |
126
|
Amhomuk Vamadevya
| |
127
|
Kushika Saubhara, Ratri Bharadvaji
| |
128
|
Vihavya Angiras
| |
129
|
Prajapati Parameshthin
| |
130
|
Yajna Prajapatya
| |
131
|
Sukirti Kakshivata
| |
132
|
Shakaputa Narmedha
| |
133
|
Sudas Paijavana
| |
134
|
Mandhata Yauvanashva
| |
135
|
Kumara Yamayana
| |
136
|
Juti, VAtajuti, Viprajuti, Vrishnaka,
Karikrata, Etasha, Rishyashringa (Vatarashanas) | |
137
|
Saptarshis
| |
138
|
Anga Aurava
| |
139
|
Vishvavasu Devagandharva
| |
140
|
Agni, Pavaka
| |
141
|
Agni Trupasa
| |
142
|
Saranga, Jaritru, Drona, Sarisrukva,
Stambhamitra | |
143
|
Atri Sankhya
| |
144
|
Urdhvasadman Yamayana
| |
145
|
Indrani
| |
146
|
DevamunI Airammada
| |
147
|
Suvedas Sairishi
| |
148
|
Prithu Vainya
| |
149
|
Arcan Hairanyastupa
| |
150
|
Mrulika Vasishtha
| |
151
|
Shraddha Kamayani
| |
152
|
Shasa Bharadvaja
| |
153
|
Indramatara Devajamaya
| |
154
|
Yami Vaivasvati
| |
155
|
Sirimbitha Bharadvaja
| |
156
|
Ketu Agneya
| |
157
|
Bhuvana Aptya, Sadhana Aptya
| |
158
|
Chakshu Saurya
| |
159
|
Shachi Paulomi
| |
160
|
Purana Vishwamitra
| |
161
|
Yakshmanashana Prajapatya
| |
162
|
Rakshoha Brahma
| |
163
|
Vivruha Kashyapa
| |
164
|
Pracetas Angiras
| |
165
|
Kapota Nairruta
| |
166
|
Rishabha Vairaja Shakvara
| |
167
|
Vishwamitra, Jamadagni
| |
168
|
Anila Vatayana
| |
169
|
Sabara Kakshivata
| |
170
|
Vibhrat Saurya
| |
171
|
Ita Bhargava
| |
171
|
Samvarta Angiras
| |
172
|
Dhruva Angiras
| |
173
|
Abhivarta ANgira
| |
174
|
Urdhvagrava Arbuda
| |
175
|
Sunu Arbhava
| |
176
|
Patanga Prajapatya
| |
177
|
Arishtanemi Tarkshya
| |
178
|
Shivi AushInara, Pratardana Kashiraja, Vasumanas Rauhidashva
| |
179
|
Jaya Aindra
| |
180
|
Pratha Vasishtha, Sapratha Bharadvaja
| |
181
|
Gharma Saurya
| |
182
|
Tapurmurdhan Barhaspatya
| |
183
|
Prajavan Prajapatya
| |
184
|
Vishnu Prajapatya
| |
185
|
Satyadhruti Varuni
| |
186
|
Ula Vatsyana
| |
187
|
Vatsa Agneya
| |
188
|
Shyena Agneya
| |
189
|
Sarparajni
| |
190
|
Aghamarshana Madhucchandas
| |
191
|
Samvanana Angiras
|
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