Monday, July 6, 2015

Purusha Suktam-from Rig Veda (10.90)

Purusha Suktam - in sanskrit with meaning - from Rig Veda 10.90

- from Rig Veda (10.90)

पुरुष   सुक्तम्
Purusha Suktam



सहस्रशीर्षा पुरुषः सहस्राक्षः सहस्रपात्
भूमिं विश्वतो वृत्वात्यतिष्ठद्दशाङुलम् ॥१॥
Sahasra-Shiirssaa Purussah Sahasra-Akssah Sahasra-Paat |
Sa Bhuumim Vishvato Vrtva-Atya[i]-Tisstthad-Dasha-Angulam ||1||

Meaning:
1.1: The Purusha (The Universal Being) has Thousand Heads, Thousand Eyes and Thousand Feet (Thousand signifies innumerable which points to the omnipresence of the Universal Being),
1.2: He envelops the World from all sides (i.e. He pervades each part of the Creation), and extends beyond in the Ten Directions ( represented by Ten Fingers ),

पुरुष एवेदं सर्वं यद्भूतं यच्च भव्यम्
उतामृतत्वस्येशानो यदन्नेनातिरोहति ॥२॥
Purussa Evedam Sarvam Yad-Bhuutam Yacca Bhavyam |
Uta-Amrtatvasye[a-I]shaano Yad-Annena-Ati-Rohati ||2||

Meaning:
2.1: The Purusha is indeed All this (Creation) in essence; That which existed in the Past, and that which will exist in the Future,
2.2: Everything (i.e the whole Creation) is woven by the Immortal essence of the Great Lord (Purusha); by becoming Food of which (i.e. by getting consumed in Whose Immortal essence through surrender) one transcends the gross world (and becomes Immortal).

एतावानस्य महिमातो ज्यायाँश्च पूरुषः
पादोऽस्य विश्वा भूतानि त्रिपादस्यामृतं दिवि ॥३॥
Etaavaanasya Mahima-Ato Jyaayaash-Ca Puurussah |
Paado-Asya Vishvaa Bhuutaani Tri-Paad-Asya-Amrtam Divi ||3||

Meaning:
3.1: The Purusha is Greater than all the Greatness (which can be expressed by words),
3.2: His One Foot has become all these (visible) Worlds, and His Three Feet rests in the Immortal World of the Transcendence.


त्रिपादूर्ध्व उदैत्पूरुषः पादोऽस्येहाभवत्पुनः
ततो विष्वङ् व्यक्रामत्साशनानशने अभि ॥४॥
Tri-Paad-Uurdhva Udait-Puurussah Paado-Asye[a-I]ha-Abhavat-Punah |
Tato Vissvang Vya[i-A]kraamat-Saashana-Anashane Abhi ||4||

Meaning:
4.1: The Three Feet of the Purusha is raised high Above (in Transcendental Realm), and His One Foot becomes the Creation again and again.
4.2: There, in the Creation, He pervades all the Living ( who eats ) and the Non-Living ( who does not eat ) beings.

तस्माद्विराळजायत विराजो अधि पूरुषः
जातो अत्यरिच्यत पश्चाद्भूमिमथो पुरः ॥५॥
Tasmaad-Viraadda-Jaayata Viraajo Adhi Puurussah |
Sa Jaato Atya[i-A]ricyata Pashcaad-Bhuumim-Atho Purah ||5||

Meaning:
5.1: From Him (i.e. the Purusha) was born the Virat; (the Virat came into being) from the presence of the Shining Purusha (Who remained as the background or substratum of Virat);
5.2: He (i.e. the Virat) created the Earth, by manifesting Her from His own being as substratum.

यत्पुरुषेण हविषा देवा यज्ञमतन्वत
वसन्तो अस्यासीदाज्यं ग्रीष्म इध्मः शरद्धविः ॥६॥
Yat-Purussenna Havissaa Devaa Yajnyam-Atanvata |
Vasanto Asya-Asiida-Ajyam Griissma Idhmah Sharad-[d]Havih ||6||

Meaning:
6.1: With the Purusha as the (Sacrificial) Fire, the Deva (the Shining One, referring to Virat) continued the Yagya (Sacrifice of creation),
6.2: Spring was (created as) the clarified Butter (of that Yagya), Summer was (created as) the Fuel (of that Yagya), and Autumn was (created as) the Havis (Sacrificial offering of that Yagya).

तं यज्ञं बर्हिषि प्रौक्षन्पुरुषं जातमग्रतः
तेन देवा अयजन्त साध्या ऋषयश्च ये ॥७॥
Tam Yajnyam Barhissi Pra-Ukssan-Purussam Jaatam-Agratah |
Tena Devaa Ayajanta Saadhyaa Rssayash-Ca Ye ||7||

Meaning:
7.1: The First Divine Men were created as the Holy Water sprinkled with the Kusa Grass in that Yagya (Sacrifice of Creation).
7.2: The First Divine Men were the Sadhya Devas and the Rishis, Who were created by Him, the Deva (the Shining One, referring to Virat), Who performed the Yagya. (These Rishis were not human but divine Rishis like Saptarshis created directly by Virat).


तस्माद्यज्ञात्सर्वहुतः सम्भृतं पृषदाज्यम्
पशून्ताँश्चक्रे वायव्यानारण्यान् ग्राम्याश्च ये ॥८॥
Tasmaad-Yajnyaat-Sarvahutah Sambhrtam Prssadaajyam |
Pashuun-Taashcakre Vaayavyaan-Aarannyaan Graamyaash-Ca Ye ||8||

Meaning:
8.1: From the Complete Offering of His (i.e. Virat's) Yagya (Sacrifice of Creation) was obtained Ghee mixed with coagulated Milk, ...
8.2: ... which (i.e. the Ghee and Milk) are (the created) Animals, both of Air (Birds) and of Forests (Wild Animals) and Villages (Domestic Animals).


तस्माद्यज्ञात्सर्वहुत ऋचः सामानि जज्ञिरे
छन्दांसि जज्ञिरे तस्माद्यजुस्तस्मादजायत ॥९॥
Tasmaad-Yajnyaat-Sarvahuta Rcah Saamaani Jajnyire |
Chandaamsi Jajnyire Tasmaad-Yajus-Tasmaad-Ajaayata ||9||

Meaning:
9.1: From the Complete Offering of His (i.e. Virat's) Yagya (Sacrifice of Creation) was born the Rig Veda and Sama Veda,
9.2: The Chandas (Vedic Meters) were born from Him, and the Yajur Veda was born from Him.

तस्मादश्वा अजायन्त ये के चोभयादतः
गावोः जज्ञिरे तस्मात् तस्माज्जाता अजावयः ॥१०॥
Tasmaad-Ashvaa Ajaayanta Ye Ke Co[a-U]bhayaadatah |
Gaavoh Ha Jajnyire Tasmaat Tasmaaj-Jaataa Ajaa-Vayah ||10||

Meaning:
10.1: From Him (i.e. Virat) was born the Horses, and all those animals who has teeth in both jaws,
10.2: From Him (i.e. Virat) was born the Cows, and from Him was born all types of Goats.


यत्पुरुषं व्यदधुः कतिधा व्यकल्पयन्
मुखं किमस्य कौ बाहू का ऊरू पादा उच्येते ॥११॥
Yat-Purussam Vya[i-A]dadhuh Katidhaa Vya[i-A]kalpayan |
Mukham Kimasya Kau Baahuu Kaa Uuruu Paadaa Ucyete ||11||

Meaning:
11.1: What did the Purusha (i.e. Virat) hold within Him? How many parts were assigned in His Huge Form?
11.2: What was His Mouth? What was His Arms? What was His Thighs? And what was His Feet?

ब्राह्मणोऽस्य मुखमासीद् बाहू राजन्यः कृतः
ऊरू तदस्य यद्वैश्यः पद्भ्यां शूद्रो अजायत ॥१२॥
Braahmanno-Asya Mukham-Aasiid Baahuu Raajanyah Krtah |
Uuruu Tad-Asya Yad-Vaishyah Padbhyaam Shuudro Ajaayata ||12||

Meaning:
12.1: The Brahmanas were His Mouth, the Kshatriyas became His Arms,
12.2: The Vaishyas were His Thighs, and from His pair of Feet were born the Shudras.


चन्द्रमा मनसो जातश्चक्षोः सूर्यो अजायत
मुखादिन्द्रश्चाग्निश्च प्राणाद्वायुरजायत ॥१३॥
Candramaa Manaso Jaatash-Cakssoh Suuryo Ajaayata |
Mukhaad-Indrash-Ca-Agnish-Ca Praannaad-Vaayur-Ajaayata ||13||

Meaning:
13.1: The Moon was born from His Mind and the Sun was born from His Eyes,
13.2: Indra and Agni (Fire) were born from His Mouth, and Vayu (Wind) was born from His Breath.

नाभ्या आसीदन्तरिक्षं शीर्ष्णो द्यौः समवर्तत
पद्भ्यां भूमिर्दिशः श्रोत्रात्तथा लोकाँ अकल्पयन् ॥१४॥
Naabhyaa Aasiid-Antarikssam Shiirssnno Dyauh Samavartata |
Padbhyaam Bhuumir-Dishah Shrotraat-Tathaa Lokaa Akalpayan ||14||

Meaning:
14.1: His Navel became the Antariksha (the intermediate Space between Heaven and Earth), His Head sustained the Heaven,
14.2: From His Feet the Earth (was sustained), and from His Ears the Directions (were sustained); in this manner all the Worlds were regulated by Him.

सप्तास्यासन् परिधयस्त्रिः सप्त समिधः कृताः
देवा यद्यज्ञं तन्वाना अबध्नन्पुरुषं पशुम् ॥१५॥
Saptaasya[i-A]asan Paridhayas-Trih Sapta Samidhah Krtaah |
Devaa Yadyajnyam Tanvaanaa Abadhnan-Purussam Pashum ||15||

Meaning:
15.1: By making Seven Enclosures with Three times Seven sacrificial Firewood (symbolically representing various koshas etc), ...
15.2: ... the Deva (the Shining One referring to Virat) in that Yagya (Sacrifice of Creation), bound the infinite expanse of the Purusha as (apparently) finite living beings (Pashu).

यज्ञेन यज्ञमयजन्त देवास्तानि धर्माणि प्रथमान्यासन्
ते नाकं महिमानः सचन्त यत्र पूर्वे साध्याः सन्ति देवाः ॥१६॥
Yajnyena Yajnyam-Ayajanta Devaas-Taani Dharmaanni Prathamaanya[i-A]asan |
Te Ha Naakam Mahimaanah Sa-Canta Yatra Puurve Saadhyaah Santi Devaah ||16||

Meaning:
16.1: The Devas performed the external Yagya by meditating on the real Yagya (i.e. contemplating on the Purusha Who is Shining behind everything); And thus they first obtained the Dharma (based on the Oneness of the Purusha),
16.2: By Meditating on the Greatness of the Chidakasha (Blissful Spiritual Sky behind everyone, which is the essence of the Purusha), during those earlier times, the Spiritual Aspirants became the Shining One themselves.

Maha Mrityunjaya Mantra-from Rig Veda 7.59.12

त्र्यम्बकं यजामहे
सुगन्धिं पुष्टिवर्धनम्
उर्वारुकमिव बन्धनान्
मृत्योर्मुक्षीय मामृतात्
Om Try-Ambakam Yajaamahe
Sugandhim Pusstti-Vardhanam
Urvaarukam-Iva Bandhanaan
Mrtyor-Mukssiiya Maa-[A]mrtaat ||

Meaning:
1: Om, We Worship the Three-Eyed One (Lord Shiva),
2: Who is Fragrant (Spiritual Essence) and Who Nourishes all beings.
3: May He severe our Bondage of Samsara (Worldly Life), like a Cucumber (severed from the bondage of its Creeper), ...
4: ... and thus Liberate us from the Fear of Death, by making us realize that we are never separated from our Immortal Nature.
greenmesg.org

Gayatri Mantra-from Yajur Veda & in some other vedic texts


Devi Gayatri

भूर्भुवः स्वः
तत्सवितुर्वरेण्यं
भर्गो देवस्य धीमहि
धियो यो नः प्रचोदयात्
Om Bhuur-Bhuvah Svah
Tat-Savitur-Varennyam |
Bhargo Devasya Dhiimahi
Dhiyo Yo Nah Pracodayaat ||

Meaning:
1: Om, that (Divine Illumination) which Pervades the Bhu Loka (Physical Plane), Bhuvar Loka (Antariksha Loka or the Astral Plane) and Suvar Loka (Swarga Loka or the Celestial Plane),
2: That Savitr (Divine Illumination) which is the Most Adorable,
3: On that Divine Radiance we Meditate,
4: May that Enlighten Our Intellect and Awaken our Spiritual Wisdom.




Greatness of Gayatri:

गायत्र्येव परो विष्णुर्गात्र्येव परः शिवः
गायत्र्येव परो ब्रह्मा गायत्र्येव त्रयी ततः
Gaayatry[Ii-I]eva Paro Vissnnur-Gaatryeva Parah Shivah |
Gaayatry[Ii-I]eva Paro Brahmaa Gaayatry[Ii-I]eva Trayii Tatah ||

Meaning:
1: Gayatri Indeed is the Supreme Vishnu, Gayatri Indeed is the Supreme Shiva,
2: Gayatri Indeed is the Supreme Brahma; within Gayatri is Indeed Present the Essence of the Three.



गायत्री वेदजननी गायत्री ब्राह्मणप्रसूःGaayatrii Veda-Jananii Gaayatrii Braahmanna-Prasuuh |

Meaning:
Gayatri is the Mother of the Vedas and Gayatri gives Birth to Brahmana (by bestowing divine knowledge).



गायत्री वेदजननी गायत्री लोकपावनीGaayatrii Veda-Jananii Gaayatrii Loka-Paavanii |

Meaning:
Gayatri is the Mother of the Vedas and Gayatri is the Purifier of the Worlds.



गायत्री वेदजननी गायत्री पापनाशिनीGaayatrii Veda-Jananii Gaayatrii Paapa-Naashinii |

Meaning:
Gayatri is the Mother of the Vedas and Gayatri is the Destroyer of the Sins.



गायत्री तु परं तत्त्वं गायत्री परमा गतिःGaayatrii Tu Param Tattvam Gaayatrii Paramaa Gatih |

Meaning:
Gayatri Indeed is the Supreme Truth and Gayatri Indeed is the Supreme State to be Attained.



ॐकारस्तु परं ब्रह्म गायत्री स्यात्तदक्षरम्Omkaarastu Param Brahma Gaayatrii Syaat-Tad-Akssaram |

Meaning:
Omakara Indeed is the Supreme Brahman (Absolute Consciousness) and Gayatri is the Syllable (or Letter) of That.



गायत्र्याः परो मन्त्रः सा सर्वश्रुतिमध्यगाNa Gaayatryaah Paro Mantrah Saa Sarva-Shruti-Madhya-Gaa |

Meaning:
There is No Mantra Greater than Gayatri; She Abides in the Middle of All the Shrutis (Vedas).

sloka on Sri Ganesha - from Rig Veda (2.23.1)

 
Sri Ganesha

गणानां त्वा गणपतिं हवामहे
कविं कवीनामुपमश्रवस्तमम्
ज्येष्ठराजं ब्रह्मणाम् ब्रह्मणस्पत
नः शृण्वन्नूतिभिःसीदसादनम्
महागणाधिपतये नमः
Om Gannaanaam Tvaa Ganna-Patim Hava-Amahe
Kavim Kaviinaam-Upama-Shravas-Tamam |
Jyessttha-Raajam Brahmannaam Brahmannas-Pata
Aa Nah Shrnnvan-Nuutibhih-Siida-Saadanam ||
Om Mahaa-Ganna-Adhipataye Namah ||

Meaning:
1: Om, O Ganapati, To You Who are the Lord of the Ganas (Celestial Attendants or Followers), we Offer our Sacrificial Oblations,
2: You are the Wisdom of the Wise and the Uppermost in Glory,
3: You are the Eldest Lord (i.e. ever Unborn) and is of the Nature of Brahman (Absolute Consciousness); You are the Embodiment of the Sacred Pranava (Om),
4: Please come to us by Listening to our Prayers and be Present in the Seat of this Sacred Sacrificial Altar.
5: Om, our Prostrations to the Mahaganadhipati (the Great Lord of the Ganas).

Monday, June 29, 2015

Knight's tour

The knight's tour problem is the mathematical problem of finding a knight's tour. Creating a program to find a knight's tour is a common problem given to computer science students
The earliest known reference to the knight's tour problem dates back to the 9th century AD. In Rudraṭa's Kavyalankara(5.15), a Sanskrit work on Poetics, the pattern of a knight's tour on a half-board has been presented as an elaborate poetic figure ("citra-alaṅkāra") called the "turagapadabandha" or 'arrangement in the steps of a horse.' The same verse in four lines of eight syllables each can be read from left to right or by following the path of the knight on tour. Since the Indic writing systems used for Sanskrit are syllabic, each syllable can be thought of as representing a square on a chess board. Rudrata's example is as follows:

से ना ली ली ली ना ना ना ली
ली ना ना ना ना ली ली ली ली
न ली ना ली ली ले ना ली ना
ली ली ली ना ना ना ना ना ली
se nā lī lī lī nā nā lī
lī nā nā nā nā lī lī lī
na lī nā lī le nā lī nā
lī lī lī nā nā nā nā lī
For example, the first line can be read from left to right or by moving from the first square to second line, third syllable (2.3) and then to 1.5 to 2.7 to 4.8 to 3.6 to 4.4 to 3.2.
One of the first mathematicians to investigate the knight's tour was Leonhard Euler. The first procedure for completing the Knight's Tour was Warnsdorff's rule, first described in 1823 by H. C. von Warnsdorff. But Indians solved 600 years before Euler.

Theory of Spider net and Indrajal similarity

Welcome to the world of IndraJaala
*****************************************
Indra's net (also called Indra's jewels or Indra's pearls- Indrajaal in Sanskrit) is a metaphor used to illustrate the concepts of emptiness.The concept of "Indra's net" has its philosophical roots in early proto-forms of Sāṃkhya in Buddhism.
The earliest reference to a net belonging to Indra is in the Atharva Veda (c. 1000 BCE) Verse 8.8.6. says:
Vast indeed is the tactical net of great Indra, mighty of action and tempestuous of great speed. By that net, O Indra, pounce upon all the enemies so that none of the enemies may escape the arrest and punishment. ||
And verse 8.8.8. says:
This great world is the power net of mighty Indra, greater than the great. By that Indra-net of boundless reach, I hold all those enemies with the dark cover of vision, mind and senses. ||
The net was one of the weapons of the sky-god Indra, used to snare and entangle enemies.The net also signifies magic or illusion.
According to Teun Goudriaan, Indra is conceived in the Rig Veda as a great magician, tricking his enemies with their own weapons, thereby continuing human life and prosperity on earth.Indra became associated with earthly magic, as reflected in the term indrajalam, "Indra's Net",.was characterized there as the antariksa-, the intermediate space between heaven and earth, while the directions of the sky were the net's sticks (dandah) by means of which it was fastened to the earth. With this net Indra conquered all his enemies.
Rajiv Malhotra uses the image of Indra's net as a metaphor for
the profound cosmology and outlook that permeates Hinduism. Indra's Net symbolizes the universe as a web of connections and interdependences [...] I seek to revive it as the foundation for Vedic cosmology and show how it went on to become the central principle of Buddhism, and from there spread into mainstream Western discourse across several disciplines
from hinduism demystified

Hinduism origin of China

Regardless of the origins of the Chinese, the evidence reveals that ancient Chinese culture was Vedic in nature.The Vedic tradition has undoubtedly been best preserved in India yet the universality of Vedic culture is such that none can claim to be the sole inheritors or originators of the Vedic traditions.These traditions are part of the basic fabric of nature and the universe and can be accessed by anyone anywhere at any time.
The same ‘eternal’ vedic tradition known as Santana Dharma is at the very core of Chinese civilization.For example, Imperial Tang dynasty (618–907 AD) used the Hindu/Vedic calendar a long side with the Chinese calendar.Amongst the Gods, the Lord of Death and the Underworld known in Vedas as Yama is called ‘Yanmo Wang’ within the Chinese tradition.
Emperor Xuanzong of the Tang (ruled 712–56) called upon the Indian monk Vajrabodhi (671–741) to perform ‘Tantric’ rites to avert a drought in the year 726 AD.In the Fujiyan province, in the Xinmen area of Quanzhou, there are the remains of a Siva Temple.It still has a Siva lingam over five meters tall.An ancient stone that still stands today; it has been widely identified as a Siva Linga.Chinese records reveal that it was cut in half in the year 1011 AD and then rebuilt in the 1400s.Even as late as 1950, childless mothers would go to it to invoke the blessings of the deity for motherhood.
In Hsuan-wu, Lo-yang district there is a pillar with Sanskrit writings from top to bottom and right to left. Besides Buddhism, Saivism was also popular in Yunan as is manifest from the prevalence of the cult of Mahakala there.This ancient Indian colony in the south of China was a strong link in the Sino-Indian cultural relationship.
Shiva Temple may have already been in existence, which is highly likely, and it is only the Deity of Lord Shiva that was new.Shiva temple had originally been built in 685 AD during the Tang Dynasty but was rebuilt by the Tamil Hindu community in the city in the late 13th century who dedicated it to Lord Siva.
There is direct evidence of that there were indeed Hindu temples in China as early as the 6th century AD.
A Chinese source states that in 720 AD the Pallava King Narasimhavarman II constructed a temple (in Tamil Nadu, India) on account of the empire of China, and another text cites the existence of three Hindu temples in southern China where ‘Brahmans’ resided during the 8th century.
The temple in Quanzhou is now in ruins, but over 300 carvings are still within the city.Many are currently on display in the Quanzhou museum, and some have become a part of Buddhist temple—Kaiyuan Temple.Behind its main hall “Mahavira Hall”, there are some columns decorated by some Hinduism carvings. The carvings are dispersed across five primary sites in Quanzhou and the neighboring areas.
They were made in the South Indian style, and share close similarities with 13th-century temples constructed in the Kaveri Delta region in Tamil Nadu.Nearly all the carvings were carved with greenish-gray granite, which was widely available in the nearby hills and used in the region’s local architecture.
Poorly written/formatted tamil wordings on these carvings prove that those were done by a non-native tamilian in China.

Saturday, June 13, 2015

गायत्री मन्त्र /Gayatri Mantra and Kundalini


गायत्री मन्त्र जप /उच्चारण मात्र से स्वचालित प्रक्रिया द्वारा शरीर की 24 ग्रन्थियों (चक्रों) के जागरण, स्फुरण का रहस्य~

(गायत्री के ग्रन्थि योग का परिचय) 

1. मनुष्य की देह में जो चक्र और ग्रन्थियाँ गुप्त रूप से रहती हैं- वे चक्र और ग्रन्थियाँ मनुष्य के शुद्ध ह्रदय में प्रचण्ड प्रेरणा को प्रदान करती हैं। उन समस्त चक्र और ग्रन्थियों को जाग्रत करके साधना में रत मनुष्य कुण्डलिनी का साक्षात्कार करता है। वह ही ग्रन्थि योग कहलाता है।

2. गायत्री के अक्षरों का गुम्फन ऐसा है जिससे समस्त गुह्म ग्रन्थियाँ जाग्रत हो जाती हैं। जाग्रत हुई ये सूक्ष्म ग्रन्थियाँ साधक के मन में निस्सन्देह शीघ्र ही दिव्य शक्तियों को पैदा कर देती हैं।

3. मनुष्यों के अन्तःकरण में गायत्री मन्त्र के अक्षरों से सूक्ष्म भूत चौबीस शक्तियाँ प्रकट होती हैं।

4. मनुष्य के शरीर में अनेकों सूक्ष्म ग्रन्थियाँ होती हैं, जिनमें से छै प्रधान ग्रन्थियों/चक्रों का सम्बन्ध कुण्डलिनी-शक्ति जागरण से है। यथा शून्य चक्र, आज्ञा चक्र, विशुद्धारष्य चक्र, अनाहत चक्र, मणिपूरक चक्र, स्वाधिष्ठान चक्र एवं मूलाधार चक्र। उनके अतिरिक्त और भी अनेकों महत्वपूर्ण ग्रन्थियाँ हैं, जिनका जागरण होने से ऐसी शक्तियों की प्राप्ति होती है, जो जीवनोन्नति के लिए बहुत ही उपयोगी हैं।

5. हमें ज्ञात है कि विभिन्न अक्षरों का उच्चारण मुख के विभिन्न स्थानों से होता है- कुछ का कंठ से, तालू से, होठों एवं दाँतों आदि स्थानों से। जिन स्थानों से गायत्री के विभिन्न शब्दों अक्षरों का मूल उद्गम है वे स्थान भिन्न हैं। शरीर के अन्तर्गत विविध स्थानों के स्नायु समूह तथा नाडी तन्तुओं का जब स्फुरण होता है तब उस शब्द का पूर्व रूप बनता है जो मुख में जाकर उसके किसी भाग से प्रस्फुटित होता है।

6. गायत्री के 24 अक्षर इसी प्रकार के हैं, जिनका उद्गम स्थान इन 24 ग्रन्थियों पर है। जब हम गायत्री मन्त्र का उच्चारण करते हैं तो क्रमशः इन सभी ग्रन्थियों पर आघात पहुँचता है और वे धीरे-धीरे सुप्त अवस्था का परित्याग करके जागृति की ओर चलती हैं। हारमोनियम बजाते समय जिस परदे/ बटन पर हाथ रखते हैं, वह स्वर बोलने लगता है। इसी प्रकार इन 24 अक्षरों के उच्चारण से वे 24 ग्रन्थियाँ झंकृत होने लगती हैं। इस झंकार के साथ उनमें स्वयंमेव (Automatically) जागृति की विद्युत दौड़ती है। फलस्वरूप धीरे-धीरे साधक में अनेकों विशेषतायें पैदा होती जाती हैं और उसे अनेकों प्रकार के भौतिक तथा आध्यात्मिक लाभ मिलने लगते हैं।

7. गायत्री मन्त्र के चौबीसों अक्षर अपने-अपने स्थान पर अवस्थिति उन शक्तियों को जगाते हैं - जिनके फलस्वरूप विविध प्रकार के लाभ होते हैं। इतने महान लाभों के लिए कोई पृथक क्रिया नहीं करनी पड़ती, केवल गायत्री मन्त्र के शब्दोच्चारण मात्र से स्वयंमेव ग्रन्थि जागरण होता चलता है और साधक से अपने आप ग्रन्थि योग की साधना होती चलती है।

8. सम्भवतः यही कारण है कि हिन्दू धर्म ग्रन्थों में, प्रत्येक धार्मिक क्रिया में, पूजा-पाठ में, दैनिक सन्ध्या उपासना में, विभिन्न संस्कारों में- जब भी हो सके अधिकाधिक एवं बार-बार गायत्री मन्त्र का उच्चारण / पाठ / जप करने का विधि-विधान सम्मिलित किया गया है।


By DR SK SHUKLA


Friday, June 5, 2015

Yoga and kundalini power






वायु का संबंध आयु से अनिरुद्ध जोशी ‘शतायु’ कछुए की साँस लेने और छोड़ने की गति इनसानों से
कहीं अधिक दीर्घ है। व्हेल मछली की उम्र का राज
भी यही है। बड़ और पीपल के वृक्ष की आयु का राज
भी यही है।

वायु को योग में प्राण कहते हैं। प्राचीन ऋषि वायु के इस रहस्य को समझते थे तभी तो वे
कुंभक लगाकर हिमालय की गुफा में वर्षों तक बैठे रहते थे।
श्वास को लेने और छोड़ने के दरमियान घंटों का समय
प्राणायाम के अभ्यास से ही संभव हो पाता है। शरीर में दूषित वायु के होने की स्थिति में भी उम्र
क्षीण होती है और रोगों की उत्पत्ति होती है। पेट में
पड़ा भोजन दूषित हो जाता है, जल भी दूषित हो जाता है
तो फिर वायु क्यों नहीं। यदि आप लगातार दूषित वायु
ही ग्रहण कर रहे हैं तो समझो कि समय से पहले ही रोग
और मौत के निकट जा रहे हैं।

हठप्रदीपिका में इसी प्राणरूप वायु के संबंध में कहा गया है
कि जब तक यह वायु चंचल या अस्थिर रहती है, जब तक
मन और शरीर भी चंचल रहता है। इस प्राण के स्थिर होने
से ही स्थितप्रज्ञ अर्थात मोक्ष की प्राप्ति संभव
हो पाती है। जब तक वायु इस शरीर में है, तभी तक जीवन
भी है, अतएव इसको निकलने न देकर कुंभक का अभ्यास बढ़ाना चाहिए, जिससे जीवन बना रहे और जीवन में
स्थिरता बनी रहे।

असंयमित श्वास के कारण :
बाल्यावस्था से ही व्यक्ति असावधानीपूर्ण और अराजक
श्वास लेने और छोड़ने की आदत के कारण ही अनेक
मनोभावों से ग्रसित हो जाता है। जब श्वास चंचल और
अराजक होगी तो चित्त के भी अराजक होने से आयु
का भी क्षय शीघ्रता से होता रहता है। फिर व्यक्ति जैसे-जैसे बड़ा होता है काम, क्रोध, मद,
लोभ, व्यसन, चिंता, व्यग्रता, नकारात्मता और
भावुकता के रोग से ग्रस्त होता जाता है। उक्त रोग
व्यक्ति की श्वास को पूरी तरह तोड़कर शरीर स्थित
वायु को दूषित करते जाते हैं जिसके कारण शरीर
का शीघ्रता से क्षय होने लगता है।

कुंभक का अभ्यास करें :
हठयोगियों ने विचार किया कि यदि सावधानी से
धीरे-धीरे श्वास लेने व छोड़ने और बाद में रोकने
का भी अभ्यास बनाया जाए तो परिणामस्वरूप चित्त में
स्थिरता आएगी। श्वसन-क्रिया जितनी मंद और सूक्ष्म
होगी उतना ही मंद जीवन क्रिया के क्षय होने का क्रम
होगा। यही कारण है कि श्वास-प्रश्वास का नियंत्रण
करने तथा पर्याप्त समय तक उसको रोक रखने (कुंभक) से
आयु के भी बढ़ने की संभावना बढ़ जाती है। इसी कारण योग
में कुंभक या प्राणायाम का सर्वाधिक महत्व माना गया है।

सावधानी :
आंतरिक कुंभक अर्थात श्वास को अंदर खींचकर पेट
या अन्य स्थान में रोककर रखने से पूर्व शरीरस्थ
नाड़ियों में स्थित दूषित वायु को निकालने के लिए
बाहरी कुंभक का अभ्यास करना आवश्यक है।
अतः सभी नाड़ियों सहित शरीर की शुद्धि के बाद ही कुंभक का अभ्यास करना चाहिए। वैसे तो प्राणायाम अनुलोम-विलोम के
भी नाड़ियों की शुद्धि होकर शरीर शुद्ध होता है और
साथ-साथ अनेक प्रकार के रोग भी दूर होते हैं, किन्तु
किसी प्रकार की गलती इस अभ्यास में हुई तो अनेक
प्रकार के रोगों के उत्पन्न होने की संभावना भी रहती है।
अतः उचित रीति से ही प्राणायाम का अभ्यास करना चाहिए।

प्राणायाम का रहस्य :
इड़ा, पिंगला और सुषुम्ना ये तीन नाड़ियाँ प्रमुख हैं।
प्राणायम के लगातार अभ्यास से ये नाड़ियाँ शुद्ध होकर
जब सक्रिय होती हैं तो व्यक्ति के शरीर में
किसी भी प्रकार का रोग नहीं होता और आयु प्रबल
हो जाती है। मन में किसी भी प्रकार की चंचलता नहीं रहने से स्थिर मन शक्तिशाली होकर
धारणा सिद्ध हो जाती है अर्थात ऐसे व्यक्ति की सोच
फलित हो जाती है। यदि लगातार इसका अभ्यास
बढ़ता रहा तो व्यक्ति सिद्ध हो जाता है।

From matrabhumi.wordpress.com

Significance of number 108, 7 ,9

  • There are 12 zodiac signs and 9 planets. As the 9 planets move through the 12 signs, their positions affect us either negatively or positively. Chanting the Om Namah Shivaya 108 times (12 x 9 = 108 duh!), nullifies any negative effects and enhances positive effects of the planets on us! 
  • Here are 54 letters in Sanskrit alphabets and Each has masculine and feminine, i.e. shiva and shakti 54 * 2 = 108
  • Time: Some say there are 108 feelings, with 36 related to the past, 36 related to the present, and 36 related to the future.
  • Astrology: There are 12 constellations, and 9 arc segments called namshas or chandrakalas. 9 times 12 equals 108. Chandra is moon, and kalas are the divisions within a whole
  • The diameter of the sun is 108 times the diameter of the Earth.
  • 108 represents (1+0+8) = 9, where 9 represents 9 tattvas
  • Nine Tattvas (Principles):
————————–
1. Jiva – soul or living being (Consciousness)
2. Ajiva – non-living substances
3. Asrava – cause of the influx of karma
4. Bandh – bondage of karma
5. Punya – virtue
6. Paap – sin
7. Samvara – arrest of the influx of karma
8. Nirjara – exhaustion of the accumulated karma
9. Moksha – total liberation from karma
Again 9 tattvas and 12 months ,multiplication leads to (12 * 9 ) = 108.

  • Followers use 108 beads in their malas. They implement the following formula:

6 x 3 x 2 x3 = 108
6 senses [sight, sound, smell, taste, touch, thought]
3 aspects of time [past, present, future]
2 condition of heart [pure or impure]
3 possibilties of sentiment [like, dislike, indifference]


  • Mathematically speaking number 9 stands between 0-8 (i.e. 0 to 8 , total numbers are 9). Eight represents completeness or totality because it includes the 4 cardinal directions and the 4 ordinal directions
Zero, by contrast, represents nothingness or emptiness. It is geometrically represented by a plain sheet with no marks on it. Thus 8 is everything and 0 is nothing. 9 is the threshold number between 8 and 0. The number 1 which follows 0 represents the beginning , the root of all geometrical patterns, while 8 is the number represents fulfillment or end.

So number 108 represents beginning- nothingness- fulfillment. i.e. nothingness between the beginning and the end. Or we can say 1 stands for beginning and 8 stands for infinity and eternity.

  • Mahabharat have 18पर्व (PARV)Chapters. It Mean = 1+8 = 9 Completeness.
  • Mehmood Gaznavi attached 17 Times and next he Taken “Shayamantaka”. It mean 17+1=18(1+8=9)
  • Shakuni Rolled the dice the 17th Time and said ” Lo i have won”. it means on Next rolled Pandavas are on the Road. The completeness.     


                        The power of Number ” 7 “

  • RAMAYAN have “7” कांड. 
  • Krishna’s Dwarika consist of 7 Islands(द्वीप )-
1. Shankhodhara         4.Dwarka                         7.Harshad & Prabhas
2.Aramda                   5.Purvadvra 
3.Rupen                     6.Okhamadhi

  • One could Split Light into 7 “Colors” and One Could combine the Seven Colors in One Light.
1.Red               4.Green         7.Violet
2.Orange          5.Blue
3.Yellow          6.Indigo

  • According to “YOG”Vidya – 7 “Chakras” in our Body.
1.Crown        4.Heart         7.Root
2.Brow          5.Solar
3.Throat        6.Spleen

  • India Classic Music – 7 “swar” स्वर 
1. Sa                              4.  Ma                           7. Ni
2. Re                              5.  Pa
3. Ga                              6.  Dha

  • In English 7 “SWAR” – 1.DO 
  •                                   2.RE 
  •                                   3.MI 
  •                                   4.FA 
  •                                   5.SOL 
  •                                   6.LA 
  •                                   7.TI 

  • If you play all Swar at same moment your will get OUTPUT of Sound ” OM”.
  • Broad form of Energy- 
1. Mechanical                      4.Radiant                          7.Nuclear
2.Heat                                 5.Electrical
3. Chemical                         6.Sound

  •  Seven Rivers called “सप्तसिंधु “.
  • Seven Sages   called ” सप्त ऋषि 
  • Vedic Calenders have ” 7″ Days Phase.
  • विवाह में 7  फेरे 

.The Sixteen Purifications (1+6=7)  १ ६ संस्कार  ( १+६ =७ )
These are as listed below: 
Garbhaadhaana: The first coming together of the husband & wife for bringing about conception. 
Pumsvana: Ceremony performed when the first signs of conception are seen, and is to be performed when someone desires a male child.
 Seemantonayana: A ceremony of parting of the hairs of the expectant mother to keep her spirits high & positive. Special music is arranged for her.
 Jaatakarma: After the birth of the child, the child is given a secret name, he is given taste of honey & ghee, mother starts the first breast-feeding after chanting of a mantra.
 Naama-karana: In this ceremony the child is given a formal name. Performed on the 11th day.
 Nishkramana: In this the formal darshan of sun & moon is done for the child. 
Annapraashana: This ceremony is performed, when the child is given solid food (anna) for the first time. Chudaakarana: Cuda means the ‘lock or tuft of hair’ kept after the remaining part is shaved off.
 Karna-vedha: Done in 7th or 8th month. Piercing of the ears. 
Upanayan: The thread ceremony. The child is thereafter authorized to perform all rituals. 
Vedaarambha: Studies of Vedas begins with the guru [teacher]. 
Samaavartan: Convocation and returning home. 
Vivaaha: Marriage ceremony. 
Vaanprastha: As old age approaches, the person retires for a life of tapas (austerity) & studies.
 Sanyaasa: Before leaving the body, a Hinddu sheds all sense of responsibility & relationships to awake & revel in the timeless truth.
 Antyeshti: The last rites done after the death.
Of these, the first three are pre-natal samskaaras;
 the next six pertain to childhood; 
the subsequent three are for boyhood; marriage,
 the thirteenth pertains to youth and manhood;
 the next two are for later age and the sixteenth is the last of samkaaras for a man. 
Antyesti is the last samskaara and other rituals like annual shraaddha etc are not requisites of Sanatana Dharma, but are later incorporations into Hinduism…..

 16 श्रंगार और उनके महत्तव ( १+६ =७ )

1) बिन्दी – सुहागिन स्त्रियां कुमकुम या सिन्दुर से अपने ललाट पर लाल बिन्दी जरूर लगाती है और इसे परिवार की समृद्धि का प्रतीक माना जाता है।

2) -सिन्दुर – सिन्दुर को स्त्रियों का सुहाग चिन्ह माना जाता है। विवाह के अवसर पर पति अपनी पत्नि की मांग में सिंन्दुर भर कर जीवन भर उसका साथ निभाने का वचन देता है।

-नथ – विवाह के अवसर पर पवित्र अग्नि के चारों ओर सात फेरे लेने के बाद में देवी पार्वती के सम्मान में नववधू को नथ पहनाई जाती है।

9) -कर्ण फूल – कान में जाने वाला यह आभूषण कई तरह की सुन्दर आकृतियों में होता है, जिसे चेन के सहारे जुड़े में बांधा जाता है।

10) -हार – गले में पहना जाने वाला सोने या मोतियों का हार पति के प्रति सुहागन स्त्री के वचनबध्दता का प्रतीक माना जाता है। वधू के गले में वर व्दारा मंगलसूत्र से उसके विवाहित होने का संकेत मिलता है।

11) -बाजूबन्द – कड़े के समान आकृति वाला यह आभूषण सोने या चान्दी का होता है। यह बांहो में पूरी तरह कसा रहता है, इसी कारण इसे बाजूबन्द कहा जाता है।

12) -कंगण और चूडिय़ाँ – हिन्दू परिवारों में सदियों से यह परम्परा चली आ रही है कि सास अपनी
बडी़ बहू को मुंह दिखाई रस्म में सुखी और सौभाग्यवती बने रहने के आशीर्वाद के साथ वही कंगण देती है, जो पहली बार ससुराल आने पर उसकी सास ने दिए थे। पारम्परिक रूप से ऐसा माना जाता है कि सुहागिन स्त्रियों की कलाइयां चूडिय़ों से भरी रहनी चाहिए।

-13) अंगूठी – शादी के पहले सगाई की रस्म में वर-वधू द्वारा एक-दूसरे को अंगूठी पहनाने की परम्परा बहुत पूरानी है। अंगूठी को सदियों से पति-पत्नी के आपसी प्यार और विश्वास का प्रतीक माना जाता रहा है।

14) -कमरबन्द – कमरबन्द कमर में पहना जाने वाला आभूषण है, जिसे स्त्रियां विवाह के बाद पहनती है। इससे उनकी छरहरी काया और भी आकर्षक दिखाई देती है। कमरबन्द इस बात का प्रतीक कि नववधू अब अपने नए घर की स्वामिनी है। कमरबन्द में प्राय: औरतें चाबियों का गुच्छा लटका कर रखती है।

15) -बिछुआ – पैरें के अंगूठे में रिंग की तरह पहने जाने वाले इस आभूषण को अरसी या अंगूठा कहा जाता है। पारम्परिक रूप से पहने जाने वाले इस आभूषण के अलावा स्त्रियां कनिष्का को छोडकर तीनों अंगूलियों में बिछुआ पहनती है।

16) -पायल- पैरों में पहने जाने वाले इस आभूषण के घुंघरूओं की सुमधुर ध्वनि से घर के हर सदस्य को नववधू की आहट का संकेत मिलता है।

Question ? 

Why do we use the Word “OM”ओउम  ?
Because in English too…

OMNISCIENCE –  Infinite Knowledge
OMNIPOTENT – Person have Infinite Power
OMNIVOROUS – Ability to absorb everything
OMEN              – Implying a predictive Sign of Future Event
OMBUDSMAN – Trusted intermediary between parties, with authority to awards a verdict.
AMEN              – In christianity
AMIN               – In Islamic 


वन्देमातरम

Source - matrabhumi.com