Mindblowing ! Hindu History Proof !

Mindblowing ! Hindu History Proof !

Genetic measurements indicate that the ape lineage which would lead to Homo sapiens diverged from the lineage that would lead to chimpanzees (the closest living relative of modern humans) around six million years ago. It is thought that the Australopithecine genus, which were likely the first apes to walk upright, eventually gave rise to genus Homo. Anatomically modern humans arose in Africa about 200,000 years ago, and reached behavioural modernity about 50,000 years ago.

Modern humans spread rapidly from Africa into the frost-free zones of Europe and Asia around 60,000 years ago. The rapid expansion of humankind to North America and Oceania took place at the climax of the most recent Ice Age, when temperate regions of today were extremely inhospitable. Yet, humans had colonized nearly all the ice-free parts of the globe by the end of the Ice Age, some 12,000 years ago. Other hominids such as Homo erectus had been using simple wood and stone tools for millennia, but as time progressed, tools became far more refined and complex. At some point, humans began using fire for heat and cooking. They also developed language in the Palaeolithic period and a conceptual repertoire that included systematic burial of the dead and adornment of the living. Early artistic expression can be found in the form of cave paintings and sculptures made from wood and bone, showing a spirituality generally interpreted as animism, or even shamanism. During this period, all humans lived as hunter-gatherers, and were generally nomadic. Archaeological and genetic data suggest that the source populations of Paleolithic hunter-gatherers survived in sparsely wooded areas and dispersed through areas of high primary productivity while avoiding dense forest cove”

(wiki, link provided at the end of the article)

Map of the Creator shows world 12 Million years ago.Dashka Map
Map of the Creator.
and Human written History is said to have begun around 8000 years ago.

Dashka Stone Map,Russia
Dashka Stone Map.
‘The Neolithic Revolution, beginning about 8,000 BCE, saw the development of agriculture, which drastically changed the human lifestyle.Mesopotamia is the site of the earliest developments of the Neolithic Revolution. It has been identified as having “inspired some of the most important developments in human history including the invention of the wheel, the planting of the first cereal crops and the development of cursive script, Mathematics, Astronomy and Agriculture'(wiki)

A Map ,called as The map of the Creator as found in Russia.

It is the Dashka Stone Map.

It is a 3 D Version .

‘

The Dashka stone is a unique artifact of unknown origin with (allegedly) a three-dimensional map of the Ural region. The stone was found in the village of Chandra in Bashkortostan, Russian Federation. According to researchers, the Dashka Stone constitutes evidence of the existence of an ancient civilization with high technical and cultural levels. If it is true it can also serve to confirm the views of creationists on the civilization of people before and shortly after the Global Flood.

There are many ancient legends in Bashkortostan of a strange plates with ornaments. In 1921, historian Vakhrushev, who visited the Chandar mentioned them in his report. He reported about six boards, but four have been lost. And the sources of the nineteenth century states that there were two hundred boards.

A stone slab measuring 1.5 meters by one meter and over 20 cm in thickness was brought to scientists at Bashkir state university, headed by the rector, Professor, Doctor of Physical and Mathematical Sciences Alexander Nikolayevich Chuvyrov.

They obtained in 1999 a three-layer plate, which, according to Chuvyrov, was made by artificial means.

The first layer of 18 centimeters is cement or ceramic on the basis of dolomite.
The second layer of about an inch – enriched with silicon, to give a picture strength. Microhardness of slightly less than that of corundum.
Third porcelain layer several millimeters. Perhaps, in order to create diffused light, to illuminate the card.

Uralskiy region with similar image

It is noted that at the plate allegedly plotted map showing the location of Ufa elevated to the modern city Meleuz. This image is a relief, according to modern concepts, you can get it from cosmic heights. It is alleged that on the map Dashka stone marked waterworks system and channel length of 15,000 kilometers, dams, 12 dams up to a mile wide and powerful water intakes. Rhomboid are designated areas – they were far from the channels. According Chuvyrova – so runways. According Chuvyrova: those who then lived and built, either flew or used the water route, since no roads are on the map.

The map also has numerous inscriptions. It is believed that this hieroglyphic-syllabic language of unknown origin. What the inscriptions say is currently unclear.

Some researchers claim that the stone is not artificial, but a purely natural origin, and the system of cracks has nothing to do with the scheme of the rivers of Bashkortostan. A layer of one mineral over another is not something surprising. There are stones, for example, with a layer of quartz on top. There are also “Moonstone” and “solar stone” with the same system of cracks. The constancy of angles proves just natural, pure crystallographic effect.

Source. http://creationwiki.org/Dashka_stone

Now consider these facts.

The Four Yugas

4 charaṇas

(1,728,000 solar years)Satya Yuga

3 charaṇas (1,296,000 solar years)Treta Yuga

2 charaṇas (864,000 solar years)Dvapara Yuga

1 charaṇas (432,000 solar years)Kali Yuga.

1.No other text in the world describes such vast stretches of Time.

2.Daksha Prajpathi was the first Human.

According to Hindu legend, Daksha is one of the sons of Lord Brahma reside in North West, who, after creating the ten Manas Putras, created Daksha, Dharma, Kamadeva and Agni from his right thumb, chest, heart and eyebrows respectively.

3.Thiruvannamlai, Tamil Nadu is 3 Million Years Old.

4.Thirupathi, Andhra Pradesh, 2100 Milion Yeras old

5..Daksha resided in the North est of India.

6.Krishna’s son Pradhyumna founded Port Baijn in Russia.

7.Indra’s Vaikanasa Theertha was in Russia.

8.Russia was called Sthree Varsha, Kingdom of Women.

9.Lake Baikal was Vaikanasa Theertha.

10. Arkaim city in Russia as built on the Rig Vedic mandala Design and was called the Swastika City.

11.Daksha Hid in Antarctica, fearing Lord Shiva’s wrath.

12.Swasthik Mark was found submerged in Antarctic Ice.

Considering these facts it is safe to postulate that Daksha Created the 3 D Map of the Creator.

It is interesting to note that Daksha is called the Creator of mankind in Hinduism.

Source Ramani's blog

Ramanujan's Math still unsolved

Ramanujan’s second construction for the approximate squaring of a circle

To experience the greatness of great men one has to relive or redo some acts of theirs to the best of ones ability. In ones youth such enactments might inspire one to make a bid for greatness. Whether this happens or not is mostly up to your genetics. Nevertheless, through the enactments one can at least savor the experience of what it takes to get there. If there was one man in our midst who could have lived up to be a Gauss or an Euler it was Srinivasa Ramanujan.

By redoing some of his acts that are within the grasp of our limited intellect we experienced the monument that he was. He gave two constructions for the approximate squaring of a circle using a compass and a straight-edge. We had earlier described the first and more widely known of those. The second appears in his paper titled “Modular equations and approximations to \pi“. In this paper in addition to remarkable approximations for the perimeter of the ellipse, which we had also alluded to before, he gives several series for \pi=3.141592653589793.... One of these series with just the first term leads to the below approximation:
\pi \approx \dfrac{99^2}{2*\sqrt{2}*1103} = 3.141592730013305 which is correct down to 6 decimal places. It is this kind of accuracy he captures in his first construction for the quadrature of the circle. In the midst of the dizzying series he conjures in a very Hindu style of mathematics, he says that he came up with an empirical approximation which leads to the below construction for the approximate squaring of the circle:

1) Draw circle to be squared with center O.
2) Draw its diameter \overline{AB}.
3) Trisect its radius \overline{AO} to get a third of it as \overline{AF}.
4) Bisect the semicircle AB to get point C.
5) Draw \overline{BC}.
6) On \overline{BC} mark \overline{CG}= \overline{GH}=\overline{AF}.
7) Join point A to point H to get \overline{AH} and to point G to get \overline{AG}
8) With radius as \overline{AG} cut \overline{AH} to get point I.
9) Draw a line parallel to \overline{GH} through point I to cut \overline{AG} at point J.
10) Join points O and J to get \overline{OJ}.
11) Draw a line parallel to \overline{OJ} through point F to cut \overline{AG} at point K.
12) Draw the tangent to the circle at point A and cut it with radius as \overline{AK} to get point L.
13) Draw \overrightarrow{OL} to cut circle at point M.
14) Draw semicircle LM and perpendicular from point O to cut this semicircle at point N.
15) Triplicate \overline{ON} to get \overline{OQ}=3 \times \overline{ON}.
16) Produce \overline{OQ} in the opposite direction to cut circle at point R.
17) Draw semicircle RQ and a perpendicular from point O to cut it at point S.
18) Thus, we have \overline{OS} as the side of the square OSTU which has approximately the same area the starting circle.

Ramanujan tells us that his earlier construction gave an “ordinary” value \pi=\dfrac{355}{113}=3.141592920353982, which is correct to six decimal places. This one, however, gives us the value:
\pi=\left (9^2+\dfrac{19^2}{22}\right)^{\frac{1}{4}}= 3.141592652582646
This is correct to a whopping eight decimal places keeping with the Hindu love for big numbers.
source: Manasataramgini

Purusha Suktam From Rigved- Origin of Universe

Purusha Suktam - in sanskrit with meaning - from Rig Veda 10.90

- from Rig Veda (10.90)

पुरुष सुक्तम् - सहस्रशीर्षा पुरुषः सहस्राक्षः सहस्रपात्

Purusha Suktam - Sahasra-Shirsaa Purusah Sahasra-Aksah Sahasra-Paat

सहस्रशीर्षा पुरुषः सहस्राक्षः सहस्रपात् ।
स भूमिं विश्वतो वृत्वात्यतिष्ठद्दशाङुलम् ॥१॥Sahasra-Shiirssaa Purussah Sahasra-Akssah Sahasra-Paat |
Sa Bhuumim Vishvato Vrtva-Atya[i]-Tisstthad-Dasha-Angulam ||1||

Meaning:
1.1: The Purusha (Universal Being) has Thousand Heads, Thousand Eyes and Thousand Feet (Thousand signifies innumerable which points to the omnipresence of the Universal Being),
1.2: He envelops the World from all sides (i.e. He pervades each part of the Creation), and extends beyond in the Ten Directions ( represented by Ten Fingers ),






पुरुष एवेदं सर्वं यद्भूतं यच्च भव्यम् ।
उतामृतत्वस्येशानो यदन्नेनातिरोहति ॥२॥Purussa Evedam Sarvam Yad-Bhuutam Yacca Bhavyam |
Uta-Amrtatvasye[a-I]shaano Yad-Annena-Ati-Rohati ||2||

Meaning:
2.1: The Purusha is indeed All this (Creation) in essence; That which existed in the Past, and that which will exist in the Future,
2.2: Everything (i.e the whole Creation) is woven by the Immortal essence of the Great Lord (Purusha); by becoming Food of which (i.e. by getting consumed in Whose Immortal essence through surrender) one transcends the gross world (and becomes Immortal).







एतावानस्य महिमातो ज्यायाँश्च पूरुषः ।
पादोऽस्य विश्वा भूतानि त्रिपादस्यामृतं दिवि ॥३॥Etaavaanasya Mahima-Ato Jyaayaash-Ca Puurussah |
Paado-Asya Vishvaa Bhuutaani Tri-Paad-Asya-Amrtam Divi ||3||

Meaning:
3.1: The Purusha is Greater than all the Greatness (which can be expressed by words),
3.2: His One Foot has become all these (visible) Worlds, and His Three Feet rests in the Immortal World of the Transcendence.






त्रिपादूर्ध्व उदैत्पूरुषः पादोऽस्येहाभवत्पुनः ।
ततो विष्वङ् व्यक्रामत्साशनानशने अभि ॥४॥Tri-Paad-Uurdhva Udait-Puurussah Paado-Asye[a-I]ha-Abhavat-Punah |
Tato Vissvang Vya[i-A]kraamat-Saashana-Anashane Abhi ||4||

Meaning:
4.1: The Three Feet of the Purusha is raised high Above (in Transcendental Realm), and His One Foot becomes the Creation again and again.
4.2: There, in the Creation, He pervades all the Living ( who eats ) and the Non-Living ( who does not eat ) beings.






तस्माद्विराळजायत विराजो अधि पूरुषः ।
स जातो अत्यरिच्यत पश्चाद्भूमिमथो पुरः ॥५॥Tasmaad-Viraadda-Jaayata Viraajo Adhi Puurussah |
Sa Jaato Atya[i-A]ricyata Pashcaad-Bhuumim-Atho Purah ||5||

Meaning:
5.1: From Him (i.e. the Purusha) was born the Virat; (the Virat came into being) from the presence of the Shining Purusha (Who remained as the background or substratum of Virat);
5.2: He (i.e. the Virat) created the Earth, by manifesting Her from His own being as substratum.






यत्पुरुषेण हविषा देवा यज्ञमतन्वत ।
वसन्तो अस्यासीदाज्यं ग्रीष्म इध्मः शरद्धविः ॥६॥Yat-Purussenna Havissaa Devaa Yajnyam-Atanvata |
Vasanto Asya-Asiida-Ajyam Griissma Idhmah Sharad-[d]Havih ||6||

Meaning:
6.1: With the Purusha as the (Sacrificial) Fire, the Deva (the Shining One, referring to Virat) continued the Yagya (Sacrifice of creation),
6.2: Spring was (created as) the clarified Butter (of that Yagya), Summer was (created as) the Fuel (of that Yagya), and Autumn was (created as) the Havis (Sacrificial offering of that Yagya).






तं यज्ञं बर्हिषि प्रौक्षन्पुरुषं जातमग्रतः ।
तेन देवा अयजन्त साध्या ऋषयश्च ये ॥७॥Tam Yajnyam Barhissi Pra-Ukssan-Purussam Jaatam-Agratah |
Tena Devaa Ayajanta Saadhyaa Rssayash-Ca Ye ||7||

Meaning:
7.1: The First Divine Men were created as the Holy Water sprinkled with the Kusa Grass in that Yagya (Sacrifice of Creation).
7.2: The First Divine Men were the Sadhya Devas and the Rishis, Who were created by Him, the Deva (the Shining One, referring to Virat), Who performed the Yagya. (These Rishis were not human but divine Rishis like Saptarshis created directly by Virat).






तस्माद्यज्ञात्सर्वहुतः सम्भृतं पृषदाज्यम् ।
पशून्ताँश्चक्रे वायव्यानारण्यान् ग्राम्याश्च ये ॥८॥Tasmaad-Yajnyaat-Sarvahutah Sambhrtam Prssadaajyam |
Pashuun-Taashcakre Vaayavyaan-Aarannyaan Graamyaash-Ca Ye ||8||

Meaning:
8.1: From the Complete Offering of His (i.e. Virat's) Yagya (Sacrifice of Creation) was obtained Ghee mixed with coagulated Milk, ...
8.2: ... which (i.e. the Ghee and Milk) are (the created) Animals, both of Air (Birds) and of Forests (Wild Animals) and Villages (Domestic Animals).






तस्माद्यज्ञात्सर्वहुत ऋचः सामानि जज्ञिरे ।
छन्दांसि जज्ञिरे तस्माद्यजुस्तस्मादजायत ॥९॥Tasmaad-Yajnyaat-Sarvahuta Rcah Saamaani Jajnyire |
Chandaamsi Jajnyire Tasmaad-Yajus-Tasmaad-Ajaayata ||9||

Meaning:
9.1: From the Complete Offering of His (i.e. Virat's) Yagya (Sacrifice of Creation) was born the Rig Veda and Sama Veda,
9.2: The Chandas (Vedic Meters) were born from Him, and the Yajur Veda was born from Him.






तस्मादश्वा अजायन्त ये के चोभयादतः ।
गावोः ह जज्ञिरे तस्मात् तस्माज्जाता अजावयः ॥१०॥Tasmaad-Ashvaa Ajaayanta Ye Ke Co[a-U]bhayaadatah |
Gaavoh Ha Jajnyire Tasmaat Tasmaaj-Jaataa Ajaa-Vayah ||10||

Meaning:
10.1: From Him (i.e. Virat) was born the Horses, and all those animals who has teeth in both jaws,
10.2: From Him (i.e. Virat) was born the Cows, and from Him was born all types of Goats.






यत्पुरुषं व्यदधुः कतिधा व्यकल्पयन् ।
मुखं किमस्य कौ बाहू का ऊरू पादा उच्येते ॥११॥Yat-Purussam Vya[i-A]dadhuh Katidhaa Vya[i-A]kalpayan |
Mukham Kimasya Kau Baahuu Kaa Uuruu Paadaa Ucyete ||11||

Meaning:
11.1: What did the Purusha (i.e. Virat) hold within Him? How many parts were assigned in His Huge Form?
11.2: What was His Mouth? What was His Arms? What was His Thighs? And what was His Feet?






ब्राह्मणोऽस्य मुखमासीद् बाहू राजन्यः कृतः ।
ऊरू तदस्य यद्वैश्यः पद्भ्यां शूद्रो अजायत ॥१२॥Braahmanno-Asya Mukham-Aasiid Baahuu Raajanyah Krtah |
Uuruu Tad-Asya Yad-Vaishyah Padbhyaam Shuudro Ajaayata ||12||

Meaning:
12.1: The Brahmanas were His Mouth, the Kshatriyas became His Arms,
12.2: The Vaishyas were His Thighs, and the Shudras were assigned to His Feet.






चन्द्रमा मनसो जातश्चक्षोः सूर्यो अजायत ।
मुखादिन्द्रश्चाग्निश्च प्राणाद्वायुरजायत ॥१३॥Candramaa Manaso Jaatash-Cakssoh Suuryo Ajaayata |
Mukhaad-Indrash-Ca-Agnish-Ca Praannaad-Vaayur-Ajaayata ||13||

Meaning:
13.1: The Moon was born from His Mind and the Sun was born from His Eyes,
13.2: Indra and Agni (Fire) were born from His Mouth, and Vayu (Wind) was born from His Breath.






नाभ्या आसीदन्तरिक्षं शीर्ष्णो द्यौः समवर्तत ।
पद्भ्यां भूमिर्दिशः श्रोत्रात्तथा लोकाँ अकल्पयन् ॥१४॥Naabhyaa Aasiid-Antarikssam Shiirssnno Dyauh Samavartata |
Padbhyaam Bhuumir-Dishah Shrotraat-Tathaa Lokaa Akalpayan ||14||

Meaning:
14.1: His Navel became the Antariksha (the intermediate Space between Heaven and Earth), His Head sustained the Heaven,
14.2: From His Feet the Earth (was sustained), and from His Ears the Directions (were sustained); in this manner all the Worlds were regulated by Him.






सप्तास्यासन् परिधयस्त्रिः सप्त समिधः कृताः ।
देवा यद्यज्ञं तन्वाना अबध्नन्पुरुषं पशुम् ॥१५॥Saptaasya[i-A]asan Paridhayas-Trih Sapta Samidhah Krtaah |
Devaa Yadyajnyam Tanvaanaa Abadhnan-Purussam Pashum ||15||

Meaning:
15.1: By making Seven Enclosures with Three times Seven sacrificial Firewood, ...
15.2: ... the Deva (the Shining One referring to Virat) in that Yagya (Sacrifice of Creation), bound the infinite expanse of the Purusha as (apparently) finite living beings (Pashu).






यज्ञेन यज्ञमयजन्त देवास्तानि धर्माणि प्रथमान्यासन् ।
ते ह नाकं महिमानः सचन्त यत्र पूर्वे साध्याः सन्ति देवाः ॥१६॥Yajnyena Yajnyam-Ayajanta Devaas-Taani Dharmaanni Prathamaanya[i-A]asan |
Te Ha Naakam Mahimaanah Sa-Canta Yatra Puurve Saadhyaah Santi Devaah ||16||

Meaning:
16.1: The Devas performed the external Yagya by meditating on the real Yagya (i.e. contemplating on the Purusha Who is Shining behind everything); And thus they first obtained the Dharma (based on the Oneness of the Purusha),
16.2: By Meditating on the Greatness of the Chidakasha (Blissful Spiritual Sky behind everyone, which is the essence of the Purusha), during those earlier times, the Spiritual Aspirants became the Shining One themselves.

रावण कृत शिव ताण्डव स्तोत्रम्, Tandav Strotum or Mantra

जटाटवी–गलज्जल–प्रवाह–पावित–स्थले
गलेऽव–लम्ब्य–लम्बितां–भुजङ्ग–तुङ्ग–मालिकाम् 
डमड्डमड्डमड्डम–न्निनादव–ड्डमर्वयं
चकार–चण्ड्ताण्डवं–तनोतु–नः शिवः शिवम् .. १..

जिन शिव जी की सघन जटारूप वन से प्रवाहित हो गंगा जी की धारायं उनके कंठ को प्रक्षालित क होती हैं, जिनके गले में बडे एवं लम्बे सर्पों की मालाएं लटक रहीं हैं, तथा जो शिव जी डम-डम डमरू बजा कर प्रचण्ड ताण्डव करते हैं, वे शिवजी हमारा कल्यान करें

जटा–कटा–हसं–भ्रमभ्रमन्नि–लिम्प–निर्झरी-
–विलोलवी–चिवल्लरी–विराजमान–मूर्धनि .
धगद्धगद्धग–ज्ज्वल–ल्ललाट–पट्ट–पावके
किशोरचन्द्रशेखरे रतिः प्रतिक्षणं मम .. २..

जिन शिव जी के जटाओं में अतिवेग से विलास पुर्वक भ्रमण कर रही देवी गंगा की लहरे उनके शिश पर लहरा रहीं हैं, जिनके मस्तक पर अग्नि की प्रचण्ड ज्वालायें धधक-धधक करके प्रज्वलित हो रहीं हैं, उन बाल चंद्रमा से विभूषित शिवजी में मेरा अंनुराग प्रतिक्षण बढता रहे।

धरा–धरेन्द्र–नंदिनीविलास–बन्धु–बन्धुर
स्फुर–द्दिगन्त–सन्ततिप्रमोद–मान–मानसे .
कृपा–कटाक्ष–धोरणी–निरुद्ध–दुर्धरापदि
क्वचि–द्दिगम्बरे–मनो विनोदमेतु वस्तुनि .. ३..

जो पर्वतराजसुता(पार्वती जी) केअ विलासमय रमणिय कटाक्षों में परम आनन्दित चित्त रहते हैं, जिनके मस्तक में सम्पूर्ण सृष्टि एवं प्राणीगण वास करते हैं, तथा जिनके कृपादृष्टि मात्र से भक्तों की समस्त विपत्तियां दूर हो जाती हैं, ऐसे दिगम्बर (आकाश को वस्त्र सामान धारण करने वाले) शिवजी की आराधना से मेरा चित्त सर्वदा आन्दित रहे।

जटा–भुजङ्ग–पिङ्गल–स्फुरत्फणा–मणिप्रभा
कदम्ब–कुङ्कुम–द्रवप्रलिप्त–दिग्व–धूमुखे 
मदान्ध–सिन्धुर–स्फुरत्त्व–गुत्तरी–यमे–दुरे
मनो विनोदमद्भुतं–बिभर्तु–भूतभर्तरि .. ४..

मैं उन शिवजी की भक्ति में आन्दित रहूँ जो सभी प्राणियों की के आधार एवं रक्षक हैं, जिनके जाटाओं में लिपटे सर्पों के फण की मणियों के प्रकाश पीले वर्ण प्रभा-समुहरूपकेसर के कातिं से दिशाओं को प्रकाशित करते हैं और जो गजचर्म से विभुषित हैं।

सहस्रलोचनप्रभृत्य–शेष–लेख–शेखर
प्रसून–धूलि–धोरणी–विधू–सराङ्घ्रि–पीठभूः 
भुजङ्गराज–मालया–निबद्ध–जाटजूटक:श्रियै–चिराय–जायतां चकोर–बन्धु–शेखरः .. ५..

जिन शिव जी का चरण इन्द्र-विष्णु आदि देवताओं के मस्तक के पुष्पों के धूल से रंजित हैं (जिन्हे देवतागण अपने सर के पुष्प अर्पन करते हैं), जिनकी जटा पर लाल सर्प विराजमान है, वो चन्द्रशेखर हमें चिरकाल के लिए सम्पदा दें।

ललाट–चत्वर–ज्वलद्धनञ्जय–स्फुलिङ्गभा-
निपीत–पञ्च–सायकं–नमन्नि–लिम्प–नायकम् 
सुधा–मयूख–लेखया–विराजमान–शेखरं
महाकपालि–सम्पदे–शिरो–जटाल–मस्तुनः.. ६..

जिन शिव जी ने इन्द्रादि देवताओं का गर्व दहन करते हुए, कामदेव को अपने विशाल मस्तक की अग्नि ज्वाला से भस्म कर दिया, तथा जो सभि देवों द्वारा पुज्य हैं, तथा चन्द्रमा और गंगा द्वारा सुशोभित हैं, वे मुझे सिद्दी प्रदान करें।

कराल–भाल–पट्टिका–धगद्धगद्धग–ज्ज्वल
द्धनञ्ज–याहुतीकृत–प्रचण्डपञ्च–सायके 
धरा–धरेन्द्र–नन्दिनी–कुचाग्रचित्र–पत्रक
–प्रकल्प–नैकशिल्पिनि–त्रिलोचने–रतिर्मम … ७..

जिनके मस्तक से धक-धक करती प्रचण्ड ज्वाला ने कामदेव को भस्म कर दिया तथा जो शिव पार्वती जी के स्तन के अग्र भाग पर चित्रकारी करने में अति चतुर है ( यहाँ पार्वती प्रकृति हैं, तथा चित्रकारी सृजन है), उन शिव जी में मेरी प्रीति अटल हो।

नवीन–मेघ–मण्डली–निरुद्ध–दुर्धर–स्फुरत्
कुहू–निशी–थिनी–तमः प्रबन्ध–बद्ध–कन्धरः 
निलिम्प–निर्झरी–धरस्त–नोतु कृत्ति–सिन्धुरः
कला–निधान–बन्धुरः श्रियं जगद्धुरंधरः .. ८..

जिनका कण्ठ नवीन मेंघों की घटाओं से परिपूर्ण आमवस्या की रात्रि के सामान काला है, जो कि गज-चर्म, गंगा एवं बाल-चन्द्र द्वारा शोभायमान हैं तथा जो कि जगत का बोझ धारण करने वाले हैं, वे शिव जी हमे सभि प्रकार की सम्पनता प्रदान करें।

प्रफुल्ल–नीलपङ्कज–प्रपञ्च–कालिमप्रभा-
–वलम्बि–कण्ठ–कन्दली–रुचिप्रबद्ध–कन्धरम् .
स्मरच्छिदं पुरच्छिदं भवच्छिदं मखच्छिदं
गजच्छिदांधकछिदं तमंतक–च्छिदं भजे .. ९..

जिनका कण्ठ और कन्धा पूर्ण खिले हुए नीलकमल की फैली हुई सुन्दर श्याम प्रभा से विभुषित है, जो कामदेव और त्रिपुरासुर के विनाशक, संसार के दु:खो6 के काटने वाले, दक्षयज्ञ विनाशक, गजासुर एवं अन्धकासुर के संहारक हैं तथा जो मृत्यू को वश में करने वाले हैं, मैं उन शिव जी को भजता हूँ

अखर्वसर्व–मङ्ग–लाकला–कदंबमञ्जरी
रस–प्रवाह–माधुरी विजृंभणा–मधुव्रतम् .
स्मरान्तकं पुरान्तकं भवान्तकं मखान्तकं
गजान्त–कान्ध–कान्तकं तमन्तकान्तकं भजे .. १०..

जो कल्यानमय, अविनाशि, समस्त कलाओं के रस का अस्वादन करने वाले हैं, जो कामदेव को भस्म करने वाले हैं, त्रिपुरासुर, गजासुर, अन्धकासुर के सहांरक, दक्षयज्ञविध्वसंक तथा स्वयं यमराज के लिए भी यमस्वरूप हैं, मैं उन शिव जी को भजता हूँ।

जयत्व–दभ्र–विभ्र–म–भ्रमद्भुजङ्ग–मश्वस-
द्विनिर्गमत्क्रम–स्फुरत्कराल–भाल–हव्यवाट्
धिमिद्धिमिद्धिमिध्वनन्मृदङ्ग–तुङ्ग–मङ्गल
ध्वनि–क्रम–प्रवर्तित प्रचण्डताण्डवः शिवः .. ११..

अतयंत वेग से भ्रमण कर रहे सर्पों के फूफकार से क्रमश: ललाट में बढी हूई प्रचंण अग्नि के मध्य मृदंग की मंगलकारी उच्च धिम-धिम की ध्वनि के साथ ताण्डव नृत्य में लीन शिव जी सर्व प्रकार सुशोभित हो रहे हैं।

दृष–द्विचित्र–तल्पयोर्भुजङ्ग–मौक्ति–कस्रजोर्
–गरिष्ठरत्नलोष्ठयोः सुहृद्वि–पक्षपक्षयोः .
तृष्णार–विन्द–चक्षुषोः प्रजा–मही–महेन्द्रयोः
समप्रवृतिकः कदा सदाशिवं भजे .. १२..

कठोर पत्थर एवं कोमल शय्या, सर्प एवं मोतियों की मालाओं, बहुमूल्य रत्न एवं मिट्टी के टूकडों, शत्रू एवं मित्रों, राजाओं तथा प्रजाओं, तिनकों तथा कमलों पर सामान दृष्टि रखने वाले शिव को मैं भजता हूँ।

कदा निलिम्प–निर्झरीनिकुञ्ज–कोटरे वसन्
विमुक्त–दुर्मतिः सदा शिरःस्थ–मञ्जलिं वहन् .
विमुक्त–लोल–लोचनो ललाम–भाललग्नकः
शिवेति मंत्र–मुच्चरन् कदा सुखी भवाम्यहम् .. १३..

कब मैं गंगा जी के कछारगुञ में निवास करता हुआ, निष्कपट हो, सिर पर अंजली धारण कर चंचल नेत्रों तथा ललाट वाले शिव जी का मंत्रोच्चार करते हुए अक्षय सुख को प्राप्त करूंगा।

निलिम्प नाथनागरी कदम्ब मौलमल्लिका-
निगुम्फनिर्भक्षरन्म धूष्णिकामनोहरः ।
तनोतु नो मनोमुदं विनोदिनींमहनिशं
परिश्रय परं पदं तदंगजत्विषां चयः ॥१४ ॥

प्रचण्ड वाडवानल प्रभाशुभप्रचारणी
महाष्टसिद्धिकामिनी जनावहूत जल्पना ।
विमुक्त वाम लोचनो विवाहकालिकध्वनिः
शिवेति मन्त्रभूषगो जगज्जयाय जायताम्‌ ॥१५॥

इदम् हि नित्य–मेव–मुक्तमुत्तमोत्तमं स्तवं
पठन्स्मरन्ब्रुवन्नरो विशुद्धि–मेति–संततम् .
हरे गुरौ सुभक्तिमा शुयातिना न्यथा गतिं
विमोहनं हि देहिनां सुशङ्करस्य चिंतनम् .. १६..

इस उत्त्मोत्त्म शिव ताण्डव स्त्रोत को नित्य पढने या श्रवण करने मात्र से प्राणि पवित्र हो, परंगुरू शिव में स्थापित हो जाता है तथा सभी प्रकार के भ्रमों से मुक्त हो जाता है।

पूजावसानसमये दशवक्त्रगीतं
यः शंभुपूजनपरं पठति प्रदोषे .
तस्य स्थिरां रथ गजेन्द्र तुरङ्ग युक्तां
लक्ष्मीं सदैवसुमुखिं प्रददाति शंभुः .. १७..

प्रात: शिवपुजन के अंत में इस रावणकृत शिवताण्डवस्तोत्र के गान से लक्ष्मी स्थिर रहती हैं तथा भक्त रथ, गज, घोडा आदि सम्पदा से सर्वदा युक्त रहता है।